Greetings Film Fans and hope everyone is having a good summer so far. We are approaching the last few days in June, and in the summer movie season there have been some surprises. I had thought the documentaries would be big this summer, and that has proven to be true. They are extending Won’t you be my Neighbor? the Mr. Rogers documentary at our local art house-Tampa Theatre. I would recommend anyone to see it or catch the PBS documentary that proves to be timely in its understanding of the era in which we live.
At the Movies: Sicario, Day of the Soldado is out and is reviewed in 6 Degrees Magazine.Film Comment does an in-depth look at it. The film overall has received some mixed reviews
Other News of Note: 6 Degrees marks the passing of Harlan Ellison, the famous and darkly comic sci-fi writer who died in his sleep at the age of 84. He wrote one of the best original Star Trek episodes of all time, City on the Edge of Forever, as well as the black comedy with DonJohnson,A Boy and his Dog. Ellison also wrote the book about television entitled, The Glass Teat of which I own a dog-eared copy. He also wrote one of my favorite Outer Limits episodes with Robert Culp entitled “Demon with a Glass Hand.” Most of his work has been re-worked and rehashed in recognizable forms in one way or another in today’s CGI Science-fiction era of remakes and sequels. They do say there isn’t anything original under the sun anymore, but in many ways, Harlan Ellison was an original who paved the way for lots of inferior remakes, and a few good spin-offs of his work.
Here’s a list of movies opening in July:Solo was a disappointment to many, but Black Panther did live up to the hype earlier this year. Next up in July is the Ant Man and theWasp, and the previews look good (Not always the best indicator, we know!). Here’s a list of films through the rest of the summer:
• Mamma Mia! Here we go again is on July 20th…here we go again…
• Mission: Impossible-Fallout on July 27th
• Christopher Robinopens August 3th- and is a live action version of the well-known children’s story
• The Spy Who Dumped Me on August 3rd stars Mila Kunis in an ‘international espionage comedy’
• The Meg on August 10th stars Jason Statham in an action version of “Jaws” with a megalodon monster that measures 70 feet
• Slender Man is a horror flick debuting August 24th
There’s also a good piece in 6 Degrees Magazineabout Rom-Com’s that asks the question: Can this genre be saved? The answer is almost always yes, but the old genres usually come back either rehashed or re-booted in some new chrysalis that has morphed into a recognizable facsimile of the old. A good example is the Western genre and the serial films of the thirties and forties that somehow morphed into a new genre called the Star Wars Cinematic Universe. So in some way, shape or form, the Rom-Com will survive.
Hope everyone has a happy, healthy, and safe Fourth of July holiday! Until then, have fun and see you at the movies!-ML
Hello everyone…Thanks for stopping by this week. Some of the big movies have begun to roll out in the Summer Film series. In case you missed it, here’s the link to the Summer Film News from last week. Melissa McCarthy’s film, Life of the Party, is out and so is Book Club.
Book Club has gotten some surprisingly good reviews, albeit from a plot that is a weak one. But the actors are all A-listers, and it has good reviews in 6 Degrees Magazine from Ebert.com.Life of the Party has some mixed reviews, but for the most part, it is recommended as a good light comedy.
The Seagull, from Chekhov and starring Annette Bening, is reviewed on Ebert, as well as Solo: A Star Wars story. There are mixed reviews for the Solo/Star Wars film, and as some people have asked me why we would put both positive and negative reviews of a film in the same magazine, I would say that after reviewing films for many years, there are people who have strong opinions on films they absolutely love or they loathe. Case in point: for me it is a lukewarm loathing for Citizen Kane and Gone with the Wind. I never have had a soft spot for either of these films, but they are acknowledged classics.
Tastes in film are relative, but the artistic quality and merits of production techniques are not. Citizen Kane used some cutting edge camera work for the day, and Gone with theWind was the first true Blockbuster in terms of marketing and promotion of a film. So they are acknowledged as bonafide classics, but you can certainly find reviews that pan both of these films out there somewhere!
Also in 6 Degrees this week: An interview with director Christopher Nolan on the impact of 2001: A Space Odyssey; plus a Film Comment column that looks at how cinema has dealt with race, discrimination and sexuality by addressing issues like homosexuality in subtle ways or with overt discrimination. There’s a look at the work of Tom Wolfe, the writer who died this week. His greatest contribution in terms of cinema was most likely The Right Stuff, another ensemble casting triumph that transferred the idea of the book-that the early pilots turned astronauts were courageous and they had ‘the right stuff’- into film with a panache and emotional appeal that is rare with most book adaptations. The book often loses so much in translation as to be unrecognizable or simply lackluster (Bonfire of the Vanities comes to mind.)
And finally, one interesting piece from Uproxx is entitled: The Franchise Era of Filmmaking: What is it, and how did we get here? This is a subject I often pontificate upon. Why are so many films remakes, or part of a series franchise? The article cites a list of box office high-grossing films, and last year there were none in the top 10, and only one-Coco from Pixar-which was on the list. The list that I occasionally print in Friday Flix shows only two of the all-time box office top 10 and three of the top 20 that are NOT part of a sequel or franchise and are original films and not remakes of earlier hit movies. “The business has shifted to brands, and franchises”….is one way of explaining it.
The explanation of the superhero genre, the big bucks involved, the profit margin that explains the continued success of this model, and the overall Hollywood machine is laid out in “The Big Picture: The Fight for the Future of Movies” by Ben Fritz. This article is highly recommended as a great long read.
The Tampa Theatre, my hometown art theatre which has recently been renovated and has reopened, is beginning their Summer Film series. Most of the films look pretty pedestrian, but there are a few on the ‘lists’ that we have been discussing-specifically, the list of films to see in a movie theater once in your life. These summer series films are the original Bladerunner,Casablanca, & The Wizard of Oz, The other films, (not on Tampa Theatre’s list) I would recommend are Jaws, (MOST of Hitchcock’s films from the 50’s and 60’s),The Godfather, 2001:A Space Odyssey and Lawrence of Arabia. If any of these films are showing at an art house near you, run, don’t walk, to take them in and experience them in the theater.
We talked in Summer Film News about some of the recommended films to record in your own “Armchair Film Fest.” I would recommend The Great Escape on TCM this week, as well as You Can’t Take it with you,Magnum Force and Vanishing Point.
Steve McQueen stars in one of his first major screen roles in this prisoner of war film from 1963, The Great Escape. The cast includes Richard Attenborough, Charles Bronson, James Garner, James Coburn and Donald Pleasance. The other films are Magnum Force, with Clint Eastwood in a classic tough guy role that may seem dated in the #MeToo era, yet this is who we are as Americans and the fact that Eastwood was loved and adored for the type of macho mantra of shoot first and ask questions later is one of his roles that cannot be ignored. Love him or hate him Clint is who we are.
Vanishing Point belongs in the category of one of those really interesting films that got away. Barry Newman was a TV star, with a modest following, when he made this film in the early 70’s that has some degrees of connection to Thelma and Louise and other films like, The Driver with James Caan. It’s about a man named Kowalski who makes a bet that he can deliver a Dodge Challenger from Denver to San Francisco in 15 hours, and finds himself in a race against time to beat the clock, law enforcement, and his own internal demons. It’s a kind of existential quest, with the man vs man, and man vs machine story line keeping the film’s doomed lead character, in tandem with the bare bones plot, moving forward to its inevitable conclusion.
Cannes film festival has had some interesting debuts these past few weeks. There was one screening from director Lars von Trier called The House that Jack Built that prompted numerous walkouts over the gory content. Spike Lee has a film at Cannes called BlacKkKlansman which is the type of film and statement that Lee has been making since Do the Right Thing. The film is adapted from a memoir of an African-American policeman who infiltrated a chapter of the KKK in the 1970’s. Lee’s voice is one we need to hear loud and clear in these confusing times.
That’s all folks, for this week. Soon we will be heading into summer and hopefully, get some vacation time to relax and …watch movies, what else? Till next week, see you at the movies-ML
Tampa Theatre has released their Summer Film Series. I was a bit disappointed with the selections this year, but there are a few notables coming… These are the ones I would recommend as “must see” theatre viewing for those who’ve never seen them on the big screen. Forbidden Planet is coming in June. A campy science fiction classic, this one was made in the heyday of fifties Golden Age studio films. The plot loosely follows the story of Shakespeare’s The Tempest, with Walter Pidgeon playing the Prospero part (Dr. Morbius) and his daughter, played by the ingénue Anne Francis. Leslie Nielson is in a perfectly straight role pre-Airplane, starring as the astronaut-hero who is out to stop the madness and woo the girl. Robby the Robot is the memorable sci-fi staple, and the movie is filmed in gorgeous fifties Cinemascope color. Notorious is one of Hitchcock’s best films. Cary Grant and Ingrid Bergman give memorable performances in this classic thriller. One of the greatest lines in film history is delivered by Madame Sebastian, the cold and calculating mother of villainous Claude Rains. “You are protected by the enormity of your stupidity” is the classic line. Never has a put-down been delivered with such precision and flair. The Wizard of Oz is a film that everyone should see on the big screen. There has never been anything to match it in art and simplistic style. It still easily makes the top ten lists of most of the film critics worth their salt. Casablanca is another film that stays with you. It’s a classic B-movie, with another memorable performance from Ingrid Bergman. But this film belongs to Bogart. It’s his signature role and he achieves iconic film status in the part of the loner Rick, who hides his secrets and his sentiments from the world in his café in Casablanca.
These films were made for big-screen viewing, and if you have the time, should be seen in the theatre. It’s definitely my opinion, (which is shared by many veteran critics), that most of the films made in the modern era can’t touch these cinema classics.
Here’s the schedule for these classics at Tampa Theatre. I have to note that this is not the complete line up, but rather the line up from 6 Degrees of the films worth seeing at the movies! Drop me a line to give me your line up of films that should be seen in the theatre. I’ve got a list & definitely have opinions as to which films make the cut.
Sunday June 26: Forbidden Planet review Sunday July 10: Notorious review Sunday Sep 4: Wizard of Oz Casablanca Sep 18th: Casablanca
1. Leslie Howard starred in Pygmalion, the George Bernard Shaw adaptation from which the musical is based, in 1938 with Wendy Hiller, and it is worth seeing to compare and contrast with the more flowery musical.
2. Rex Harrison is probably the best reason to see the musical version of this. The music is memorable, and many of the songs became hits and are still sung today, but Harrison shines in the film and the cadence and half-talking, half singing quality of his numbers suited him perfectly as the composers, Frederick Loewe and Alan Jay Lerner, wrote the songs with him in mind to play the lead on Broadway.
3. At the time, the big controversy was the decision to snub Julie Andrews and give the lead to the well-known star, Audrey Hepburn. And Julie Andrews responded with one of the best known ripostes in Hollywood as she thanked Jack Warner for being “the man who made all this possible” after he passed her over for the part in the film version, which gave her the chance to win an Oscar for Best Actress in Mary Poppins.
Audrey Hepburn is one of my favorite actresses, and she does justice to the part although Marni Nixon actually sang the songs in My Fair Lady. Hepburn looks beautiful, as always, and holds her own with Harrison’s commanding presence as the iconic professor Harold Higgins.
Hepburn is seen on TCM later this week in one of her Oscar winning performances, starring in The Nun’s Story with Peter Finch. Her quiet dignity and ability to combine the strength of an iron will with grace and beauty have always made her best performances stand out.
She shines in “Funny Face, Roman Holiday, Sabrina, Breakfast at Tiffany’s, How to Steal a Million” and so many more. Set your TV to record any of her leading roles if you appreciate the glamour of Old Hollywood combined with brains and sophistication, and that is the whole package that was Audrey Hepburn.
Tampa Theatre is screening My Fair Lady Sunday, January 24th at 3:00 pm.
This was a ground-breaking film in many respects. Nicholson’s signature role as the rebellious McMurphy is one that is as bound with his acting legacy as much as Brando’s is bound with Stanley Kowalski in Streetcar or Bogart’s Rick from Casablanca. The supporting cast is also memorable, including acclaimed actors such as Scatman Crothers, Danny DeVito, Louise Fletcher as Nurse Ratched, and Christopher Lloyd.
And the story still resonates today, forty years after the film was made. It’s a story involving not only personal freedom, but the fine line we all walk in terms of moral relativity of good and evil and right vs wrong. Was Nurse Ratched acting with evil intent or did she simply make moral judgments based on the rules set by the confining nature of a structured institution which was a home for the mentally ill?
The film swept the major categories in 1975, a feat that has occurred only three times in the history of the Oscars. The only other two films that swept the Academy Awards were It Happened One Night in 1934, and the very different winner, The Silence of the Lambs, from 1991. One flew over the Cuckoo’s Nest was based on the book by Ken Kesey, and was written in 1962. In Kesey’s book, the story was told from the point of view of McMurphy’s silent Indian friend, Chief Bromden.
Tampa Theatre is screening One flew over the Cuckoo’s Nest on Sunday, January 17 at 3:00 pm.
As our local art house, Tampa Theatre, is gearing up for the Holidays by showing the original 1947 “Miracle on 34th Street”, we’ve decided to begin with this one too. It’s a great film to kick off the holidays as the action unfolds at the start of the annual Macy’s Day Thanksgiving Parade in New York City.
Things to know about “Miracle on 34th Street”
*Cary Grant turned the part down. Perhaps with his innate sense of comedy and marketing of his own character, he knew that the strongest leads in this film weren’t for the males!
*Natalie Wood debuts with one of the best performances by a child in film for that era or any other era to date. Her young and slightly cynical persona as Susie, the young level-headed and sensible little girl who dreams of living in a real house someday, is the glue that makes the film work. Had the part gone to a sickly sweet child without any patina of sophistication or age beyond her years, then the film would have made no sense. The point was to create a strong motivation for Kris (Edmund Gwenn) to convert the non-believers.
*It’s still the Best of the Series-no remake has come close to the original 1947 film.
*Fem Flicks: It’s one of the earliest films that portrays a working, divorced mother even with a semblance of realism. Maureen O’Hara does a brilliant job with this part.
*Santa on Film: Edmund Gwenn gives a pivotal performance as the Macy’s Santa on trial
• Fred Mertz Foreshadowed: The small role for William Frawley was also pivotal. His cynical and worldly views underscore the Capra-esque overtones seen in the courtroom scenes.
*Capitalism is featured front and center in the plot. But the real heart of the story is the human elements of faith and forgiveness that bind the main characters together. The weakest link is the male lead given to John Payne. Although Payne does quite a good job in the role, his part is not the essential one for the success of the story.
Miracle on 34th Street is definitely recommended viewing for all who have not seen the original. The black and white film needs no colorized version to give it life. To kick off the Holiday Season, it should be the first on everyone’s list.
As mentioned above, Tampa Theatre is showing Miracle on 34th Street this week. They are going to show other films in their Holiday Film Series, including It’s a Wonderful Life from 1946, Holiday Inn from 1942, White Christmas 1954, and Home Alone from 1990.
The List of Holiday films featured in 6 Degrees is essentially an American Christmas Story. Americans seem to embody all of the elements that comprise the best and the worst parts of the Christmas season.
The 6 Degrees List varies slightly from the Tampa Theatre list. I would definitely recommend seeing White Christmas on the big screen. It was a VistaVision Creation of the fifties, and the colors and the pageantry are all part of the lost era which was the Golden Age of Hollywood.
But instead of showing Holiday Inn, 6 Degrees includes for week 3, A ChristmasStory. It’s a nostalgic look at a bygone era. The saga of Ralphie and his quest to own a Red Ryder Rifle at Christmas still rings true for many of us.
For week 4, Christmas Vacation. It’s the modern day classic comedy that embodies so much of the silliness of a Saturday Night Live ensemble with the heartwarming feel of a true Hallmark Christmas classic. Chevy Chase is never better than in this role of Clark Griswold.
For Christmas, Eve some version of the Nutcracker is always worthwhile. My personal favorite is still the Baryshnikov version. And for Christmas day, the Dickens story of A Christmas Carol is still the best of stories to savor and to dissect. We are all Scrooge’s in some part, as we enter into the Christmas season. So it is fitting and appropriate to spend at least part of your Holiday with the Dickensian model of Ebenezer Scrooge. Scrooge is the perfect vessel to reflect and to identify with all of our inner ambivalence and anger over the commercially created Christmas season.
Happy Holidays to all our 6 Degrees Readers and we’ll see you @ the movies!
Here’s a round-up of some of the leading stories found in the 6 Degrees of Film @ the Movies magazine on Flipboard. The last two summers have proven to be relatively slow for finding little gems of movies or seeing big Hollywood blockbusters. The Cinematic Comic-Book Universe keeps churning them out, and we see lots of films coming out of China and overseas. The latest hit has an unusual looking “radish” monster baby (see the picture on Flipboard) and it’s breaking all kinds of box-office records in the all-important Chinese movie market. Here’s what we found in July:
*Citizen Kane: No 1 in BBC Poll: Greatest American film….? My book has a list of top 100 and Citizen Kane is not included. It’s a great film, and like so many great films, it’s an acquired taste. It’s not just me….many man on the street interviews have yielded this opinion of Citizen Kane. Insiders and critics like it. I do agree with most of the top 10 picks which are as follows:
1. Citizen Kane
2. The Godfather
4. 2001: A Space Odyssey
5 The Searchers
6. Sunrise: A Song of Two Humans-Murnau,
7. Singing in the Rain
10 The Godfather Part II
As lists go, it’s not a bad one. Five out of ten isn’t bad, just no cigar! And it’s not inclusive if you are talking about strictly American films. The Wizard of Oz should be in any respectable top 10 List.
Hitchcock & Kubrick are problematic if you are speaking about American films. Hitchcock was born in England and Kubrick worked exclusively in England…ToKill a Mockingbird is a uniquely American film also and one would have to put it in the top ten rankings if you are going to parse the definition at all.
Probably you would include An American in Paris and It’s a Wonderful Life if you are talking about Americana. I would put Butch Cassidy and the Sundance Kid or Stagecoach or The Westerner with Gary Cooper over The Searchers.
It’s a very subjective thing to pick a list of strictly American films, and even harder for the Brits to decide!
**Primer to Marvel’s Cinematic Universe: In this informative article, the first 25 pages recap and address the history of Marvel’s Cinematic Universe. Rail against it if you are a critic or purist, but the comic book genre is here to stay. This is a good look at the continuing saga of the Cinematic Universe.
Starting in 2008, Phase One included: Iron Man, The Incredible Hulk, Iron Man 2, Thor, Captain America: The First Avenger, and The Avengers from 2012.
Beginning in 2013 with Iron Man 3,Phase Two includes Thor: The Dark World, Captain America: The Winter Soldier, Guardians of the Galaxy, Avengers, Age of Ultron and the current 2015Ant-Man.
In 2016, Phase Three continues with Captain America: Civil War, Doctor Strange, and Guardians of the Galaxy Vol. 2 in 2017. Spider-Man and Thor: Ragnarok, also slated for release in 2017, and Avengers: Infinity War-Part I, Black Panther, and Captain Marvel in 2018. In 2019,Avengers: Infinity War-Part 2 and Inhumans will conclude Phase Three.
*Add as a caveat George Martin-creator of Game of Thrones- critique of the superhero genre, saying, “I am tired of this trope where the bad guy has the same powers as the hero. The Hulk fought the Abomination, who is just a bad Hulk. Spider-Man fights Venom, who is just a bad Spider-Man. Iron Man fights Ironmonger, a bad Iron Man.Yawn. I want more films where the hero and the villain have wildly different powers. That makes the action much more interesting.” Martin praised Ant-Man, as one of the best he’d seen since 2004’s Spider-Man 2.
**Ranking the “origin stories” of the Marvel Universe may provide background if you don’t really want to sit through 10 or 15 comic book movies. Read the moviefone article here….avclub.com
**Reviews:Southpaw, the boxing movie with Jake Gylenhall, has received mixed reviews; as had Paper Towns;Pixels from Adam Sandler was not received well (officially declared a dud!); Mr Holmes, the new Sherlock Holmes film with Ian MacKellan has generally garnered good reviews. Woody Allen’s new film, Irrational Man with Joacquin Phoenix and Emma Stone is receiving mixed reviews. Not surprising as those who are familiar with Woody’s work may see him going back to familiar ground over and over again.
*Global Box Office:Monster Hunt, out of China, is one of the highest grossing films made there. The Shrek 3 Director was at the helm. China’s state administraion of Print, Publishing, Radio, Film and Television (SAPPRFT-SARFT) had imposed an annual blackout period of 6-8 weeks when imported quotas of films are barred from mainland in order to boost Chinese movies. The family fantasy epic, Monster Hunt may surpass Transformers 4 and become PRC/s (People’s Republic of China) 2nd biggest release in history. Jurassic World moves into the 3rd highest grossing film of all time-Passing Avengers. The sequel to Jurassic is already set for 2018. If you are wondering… Avatar is #2; Titanic still No 1 and still the oldest film on the list.
*From the Fem Flicks File: A new list of 50 Films from Female Directors (how’s that for Alliteration 101?) A list I can’t agree with (Ishtar…? – I love Elaine May, but please!). On the list, I spotted eight worth mentioning
The Hitch-hiker- Ida Lupino-1953
Seven Beauties– Lina Wertmuller- 1975
Desperately Seeking Susan– Susan Seidelman-1984
Big– Penny Marshall-1988
Wayne’s World-Penelope Spheeris-1992
My Brilliant Career– Joan Tewkesbury-1994
Billy Madison-Tamra Davis-1995
Clueless- Amy Heckerling- 1995. Sophia Coppola and Kathryn Bigelow are two stand-outs, with Sophia Coppola not even on the list?! Bigelow is cited for her Strange Days in 1995. She became the first female director to win an Academy Award for Best Director with her Hurt Locker in 2008.
*Must read for all of those like me who love Mockingbird: A typed letter to Director Alan Pakula from the art director Henry Bumstead from To Kill a Mockingbird. His impressions of Monroeville and Harper Lee (Nell’s) extremely useful suggestions as to how the look and feel of the place should be portrayed onscreen. Most amusing when he recounts he’d never seen a collard green before!
*Good read on Kubrick: It spells out the reasons for his greatness as a director and an auteur. He was a photographer first and foremost-the look and the feel of his pictures is through the eyes of an artist framing a shot-as Hitchcock, as Wes Anderson, and so many artistic creators working in film today. The author of the piece, Mark Krasselt, is a Kubrick devotee, and some of the article goes long into the weeds discussing the genius and merits of the man, but to summarize, some of his trademarks such as Kubrick’s use of the Narrator are discussed in detail. Kubrick’s actors are stilted and styled as was Hitchcock’s. The character is seen as metaphor-remember Hitchcock’s famous statement-actors are cattle? Kubrick’s career is detailed at length. The arc of his development and how he came to be an independent auteur after the disappointment of Paths of Glory is one of the highlights. Plus he had an important backer at Warner Bros in Terry Semel-and he never made films again in the US! Always he worked out of his London studio, where he had more artistic control over the project as a whole. Stanley Kubrick is shown as a true auteur as we glean some insight into the “Kubrick experience”. From Mark Krasselt-tasteofcinema.com
*Coming in August:The Man from UNCLE; Ricki and the Flash with Meryl Streep; Best of Enemies, a documentary about the very real rivalry between pundits William F. Buckley and the liberal Gore Vidal, is recommended; American Ultra with Jesse Eisenberg looks funny and quirky-the plot is about a stoner, played by Eisenberg, turned government agent in a twist that hasn’t been done to death-opening August 21. The Revenant trailer looks interesting-two great actors in Leonardo DiCaprio and Tom Hardy are starring in this backwoods mountain movie about a man seeking revenge.
• Movie Trends: 3-D….Is it just an annoying fad…? Or is it part of the movie-going experience. We are going to see many specialized “gimmicks” to drive audiences into the movies. A wave of nostalgia for the good old days of movie palaces has already descended upon us.
• The League of Historic Theatres is a national organization dedicated to preserving the memory of old buildings housing defunct movie theatres. The League extends to old theatres and auditoriums, and includes drive-in movies too, a big part of the culture of the fifties and sixties.
Those of you from my Linked in Movie Group may remember my past history with unusual movie “experiences”. As a child I attended the Planet of the Apes “Ape-a-rama” where you got in free if you wore a Gorilla suit and the first 100 patrons got a free banana. It was an all day Planet of the Apes Marathon.
And my beloved Tampa Theatre screened William Castle’s “Thirteen Ghosts” on Halloween many years ago with the original introduction by Castle explaining the 3-D Ghost glasses (one side you could see the ghosts-the other was for non-believers!).
Tomorrow, I wander into the valley of the shadow with the Sing-a-long version of The Sound of Music. The movie means so much to me as it was the first real film experience I remember as a child. We went to the Palace theatre downtown, long defunct, and even got the program (which I scribbled on) and the little orange drinks shaped like oranges with the straws in the middle!
I digress. But the film means so much to so many people, there is one woman in the Guinness book who saw it every day for years when it ran in theatres, and this is truly something any self-respecting film buff should experience.
I’m looking forward to seeing you on the other side! Till then, dear readers. I’ll see you at the movies!