6 Degrees: Friday Flix-St Patrick’s Day Edition


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Happy St Patrick’s Day to my fellow Film Fans!


Happy St Patrick’s Day to my fellow film fans!

At the movies: This week in movies, we see the opening of another Benji, which has been reviewed as something so close to the original Benji as to be redundant. But those of us who are Uber Dog lovers will not quibble. The remake is sufficiently cute and heartstring-inducing to be acceptable.

The Subject is Objectivity: On the subject of Film Criticism, there’s a good article this week in 6 Degrees magazine about Casablanca, where the critic writes, “How could I have written a…book on 1940’s Hollywood and …devoted so little space to Casablanca?” He goes on to admit that Casablanca isn’t a favorite, and then cites a long list of classics that DO arouse his passion.

I forgive him because if we’re honest, then that’s true of all of us. I do acknowledge many of the classics don’t exactly move me to watch them over and over. However, you can acknowledge the excellence and innovative techniques used by the filmmakers, and still allow the film may not ‘move you’ in a significant way. With film, often there is a gut reaction that embeds them in your psyche and compels you to want to see the film again and again. It can allow you to identify with a mood or character and makes you ‘get it’ on that deeply psychic level.

To that end, in my book, 6 Degrees of Film, I compiled the “List of 100’, and as noted before on the 6 Degrees blog, the endless lists we see, from everything that can be compiled including science-fiction films, horror, rom-com, classics and any combination of categories and genres that go on and on are rendered meaningless by their ubiquitous nature. One of my pet peeves is the overly large number of films listed in these articles (I’ll leave my list of 100 films out of the argument for the moment!).

When compiling the best films lists of any recent year, reaching the number of up to 50 or 100 seems high to me. Yes, we can compile lists for the best films of the decade, or for an entire genre to reach the higher numbers, but there should be some discernment and discretion with critics compiling these long lists of films where, when actually perused, as I have done, seem to include lots of questionable picks and sometimes just feel loosely pulled together in order to create the headline, rather than fulfilling the headline’s narrative with the content required to follow up. (For example: Best Villains who dress well or Best Looking supporting actresses wearing swimsuits….)

About the List of 100: In the book. 6 Degrees of Film: The Future of Film in the Global Village, there is a list compiled of favorite films in the back of the book. Among the films listed is 2001: A Space Odyssey, which is a landmark film in so many ways. The film’s fiftieth anniversary has arrived, and there are a few articles about the making of Kubrick’s classic in the 6 Degrees Magazine.

Here’s an excerpt from my book that points to the reasons that this film made such a significant impact on future filmmakers such as George Lucas:

The Roots of ILM
A Life magazine story from the 1960s summed up
the crisis in visual effects in movies: “There were so many
innovations occurring in film, but in the field of special
effects, there was a dearth of ideas. The big studios couldn’t
finance the large Technicolor spectacles that had been the
signature entertainment for decades at studios like MGM and
Paramount. By the sixties, the film industry had begun to
resemble, a company town where the mine has closed.” 116
Demographics had changed, and audiences had changed. Even
television had evolved, and the world was rapidly changing too.
This meant that movies needed to evolve and adapt to the changing
times. There was an opening for a big turnaround movie.
One appeared in 2001: A Space Odyssey. At 2001’s release in
1969, Stanley Kubrick’s innovations were the cutting edge in
technological advancement in films. But Kubrick’s innovations
did not translate into other copy-cat films, and Kubrick
remained something of a lone-wolf figure. For one thing, the
film was made in England and was too big and too expensive
to emulate. The film failed to revive the waning special-effects
industry in Hollywood. But it did inspire a generation of
young filmmakers who saw that it could be done.
George Lucas was one who acted on that inspiration. He
said, “Almost from the moment film was invented, there was
this idea that you could play tricks, make an audience believe
they were seeing things that really weren’t there. But this was
completely lost by the 1960s.

From the list of 100, there are a few more films recommended for viewing this week. One of the films is in honor of St Patrick’s Day, and is usually shown each year for this occasion. The Quiet Man, the quintessentially Irish film for all things Irish that we love….Also recommended, Casablanca, which we’ve discussed recently on 6 Degrees. And one of my favorite Bogey films in the Film Noir category, The Big Sleep.

Enjoy watching the classics and until next time, see you at the movies!-ML

6 Degrees: Friday Flix

6 Degrees of Film

Here’s what’s happening in the past week, since the Oscars were awarded last Sunday night. For more, check out our 6 Degrees of Film Magazine:

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• There is still lots of talk swirling around The Black Panther and its staying power…The film has broken records at the box office, and has proven to have enormous appeal in the comic book film genre as well as for African Americans seeking positive role models in super-heroes. And in the all-important numbers game, The Black Panther has already made the top ten money makers of all time; passing Beauty and the Beast to reach the ninth spot, as it is expected to eventually overtake the last Star Wars entry in the near future.

A Wrinkle in Time has received mixed reviews…From RogerEbert.com, we learn that the film is a mixed bag with ‘a lot to like.” And this from the Ebert site: ”…in the era of ‘grittiness’ in films, this film has ‘zero interest in seeming cool as it ramps up the sentiment, particularly in the final part of the movie.” From Film Drunk, the analysis is that the film is a series of “affirmations in search of a story.”

• Believe it or not, one week after the Oscars have ended, there’s speculation about nominees for the 2019 Oscar nominees…! Wes Anderson is an acclaimed director still looking for his Oscar win. And Martin Scorsese has another big budget film out, The Irishman, with a star -studded cast. Nominees from this year, Margot Robbie and Saoirse Ronan are starring in Mary, Queen of Scots.

• This week in Bad Movies: Dwayne Johnson accepted the “Razzie” for his part in last years forgettable Baywatch film version. There’s some talk of Spielberg having a dud on his hands with Ready Player One but it’s too soon to tell. In my opinion, the video game industry is a rather dicey venture when it comes to recreating its success in a Hollywood film. But even if it’s a dud, Spielberg’s film may not be so worthy as to be dubbed a “Razzie” entry. Films require that special something to belong in the classic Bad B Movie category…

• Women’s empowerment and diversity are still on the ascendance in Hollywood these days. The next big film festival, the South by Southwest Festival, is debuting several films from female filmmakers.

• On the Sequel front: Several entries that are already set for 2019 include How to Train Your Dragon 3; The Lego Movie Sequel; Godzilla: King of the Monsters; Avengers 4; a Men in Black sequel; Toy Story 4; The Secret Life of Pets 2; Top Gun: Maverick (33 years later!); Angry Birds 2 and Kenneth Branagh’s return as Poirot in Death on the Nile. The long-anticipated sequel to one of the most successful box office animated films of all time from Disney- Frozen 2, is set for November of 2019. And the sequel department would not be complete without the last entry in the granddaddy of all film sequels: Star Wars Episode IX out in December of 2019.

That’s it for this week. There are still some Oscar nominated films that are now On Demand that I want to see: The Darkest Hour is one of them. Next week, a look at some of the small screen films that deserve a viewing at least once in your life….The Armchair Film Festival is always one of my favorite festivals! Till then, see you at the movies!-ML

6 Degrees: Oscar News


Oscar News

The Oscars show was always a big deal for me…but in recent years, …not so much. The glamour is not there, and there are so many award shows, it just doesn’t pack the same punch. The turning point for me happened when they sent the Disney characters into the audience one year and Tom Hanks and Paul Newman just looked embarrassed. They don’t seem to know how to bring the show into the modern era

The biggest problem that has been widely documented is the diversity issue. The Academy was an “Old White Guy” organization and it showed. They have worked on trying to repair the breech, but it’s been painfully slow to watch.

Some stand-out moments I remember from recent years occurred when Lady Gaga sang The Sound of Music, and then when Billy Crystal returned to host the show it just seemed funnier, but James Franco remains, in my opinion, the worst host in Oscar history. I hope the show isn’t overlong, and the disaster of an announcement for Best Picture doesn’t occur again…Warren Beatty is probably blackballed forever. I keep watching it out of habit, but with each passing year, the glitz and glamor of a bygone era becomes more painfully evident.

Here is what I wrote about the Academy Awards in my book 6 Degrees of Film: The future of film in the Global Village from 2013:

On the Academy Awards

One of my biggest beefs is that even in the twenty-first century the Academy Awards show looks a lot like a holdout from a bygone era. The glitz and glamour are not as believable when there is so much more to the film industry in the modern era. The age of computer imaging and video games and the type of sophisticated special effects used in modern films are barely acknowledged. Little mention is given to the separate awards ceremony held for the scientific and technical awards. James Cameron invented a new method of filmmaking, and George Lucas and others initiated many breakthroughs in the way we see things on film. But none of these accomplishments are honored. New categories should be created to acknowledge these developments so they can be brought to the public’s attention. The global village of filmmaking is compartmentalized into one or two categories of short films and the foreign film category. Even though Slumdog Millionaire won several Oscars in 2009, the film is treated as if none of that ever happened. The encapsulated world of Hollywood elites still appears to be fairly homogenized (barring a few obligatory jokes about Jews in Hollywood). The only nod to the changing of the guard was in 2010 when Barbra Streisand handed the Best Director award to a woman (Kathryn Bigelow for Hurt Locker) for the first time, and when Halle Berry, the first African American woman to receive the Best Actress award, acknowledged Hattie McDaniel and all of the women of color who had come before her. If Hollywood and filmmaking are a large part of the American persona, and this show is one of our best chances to advertise our unique and diverse American way of life, then why doesn’t Hollywood pull out all the stops on these occasions? Instead, the powers-that-be in Hollywood present a timid and tepid tribute to films in a way they have done many times before. Shouldn’t there be some acknowledgement of innovation? To my mind, that is “the stuff that dreams are made of,” which Bogey spoke of so long ago….

And here we are, five years after 6 Degrees of Film was published, and I still have the same complaints! There are no innovative new categories, and the diversity issue is still front and center. We are still talking about the ‘old white guys’ show, with few exceptions.

But this year may be different. In this changed atmosphere, post #MeToo and Harvey Weinstein, then there may be some movement in the gender discrimination category.

Would it kill them to be innovative and come up with some new categories? Such as best “Breakthrough Performer” or Most Promising….really anything that smacks of “Something Different.” There’s been some discussion of late about naming the Best Picture that was awarded the Oscar for “Best Picture.” The Godfather and Lawrence of Arabia come to mind.

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Movies of the 21st Century

Winners in this category would be Slumdog Millionaire, with The Lord of the Rings: The Return of the King, A Beautiful Mind and Gladiator being on the short list.

Nominated films that were superior include: Lost in Translation, Capote, Munich, Juno, There Will Be Blood, Up, The Social Network, Inception, Moneyball, Gravity, Her, The Big Short, The Revenant, Arrival, Fences, and a few more that define the times we live in much better than the films that won the Oscar.

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This year, Lady Bird and Get Out will probably not win, as they are not odds on favorites. The Shape of Water is an interesting entry, and it gets my vote, but Three Billboards is an outside favorite that has a good chance.

The point of it all isn’t really that these winners are the “Best” films, but the films with either more popular votes from Academy winners, or they represent a snapshot in time, and may or may not have staying power. Most of the recent winning films are forgettable.


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6 Degrees of Film


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Sign up for my mailing list to see all the latest news in film each week in Friday Flix. 6 Degrees of Film magazine features all the latest reviews and articles from leading publishers about current and classic movies. In editing the magazine, I make a point of going into the archives as well as searching the internet to find the latest reviews and summarizing the Big Picture each week in Friday Flix.

6 Degrees of Film blog features quarterly newsletters, weekly film reviews and reports, as well as excerpts from my 2013 book 6 Degrees of film: The Future of film in the Global Village. We also include reviews of classic movies, and current films in theaters and recommendations on television in the recurring feature: The Armchair Film Festival.  In other words, 6 Degrees is your one-stop shopping for all the film news that’s fit to print. Join us as we go through the latest winners and wrap up the Oscars report this week. We love to hear from you all….Enjoy the show and until next week, see you at the movies!-ML