The positives in this review lie in the beauty of this film’s cinematography and costuming. There is no plot or character development to dissect. But the stand-out performer in this live action fairy tale film would be Kevin Kline, playing Belle’s father.
He is given the chance above all else to emote gentle affection and sincere dialogue with nuance and humor. Other than that, there’s little to distinguish this movie from the original animated version, other than the ability of our times to project Computer Graphic Imagery onto the big screen.
This would be an enjoyable time spent for a mother daughter duo of any age. It seems to be entertaining enough on all levels to recommend for family viewing, but from times past, this would be considered a “chick flick”.
There is a definite feminine bent, not feminist, to the portrayals and the entire illusory vision whipped up in this fable. Frozen and other animated tales in recent times have given rise to the more feminist versions of the trapped princess. And although there is nothing to object to in terms of PC standards in this portrayal of the young Belle, played solidly by Emma Watson of Harry Potter fame, there is conversely no real dilemma lying outside the constricted world of the fairy tale maiden in distress.
This is recommended for families who seek a world of escapist cinema with beautiful visuals and innocuous story lines. In that regard, this is the chick flick you may have been waiting for.
**Go See this if you are “Female seeking Escapism”.
Today in the Friday Flix, we’ve got some more reviews for the Beauty and the Beast film, which was Number One at the box office this week. Kong: SkullIsland (my review is on6 Degrees-waiting for small screen was my recommendation) is still doing well. There’s a piece from Mubi.com about the entire spectrum of Kong films beginning with the original 1933 version.
There’s an interesting post from the A.V. Club that reflects on the films that best embody the 90’s. That’s a fascinating concept in my opinion, and a good one to ponder. What are some of the films that embody your high school years; the American Dream; your own visions of life and/or romance and success…the thought experiment can go on and on.
I’m going to extend this out to ask readers, as the A.V. Club does, to reflect on the films that embody their youth. We can continue to expand that with the films that reflect the past and depict life in America or the changing global vision…these are all good questions to ask when we think about films that impact our lives. More on this next week…
There are reviews in the 6 Degrees magazine for Trainspotting 2, Elle, the classic Kubrick film, Dr. Strangelove or How I Learned to stop worrying and love the bomb; Wilson, Cinema Paradiso,The Eyes of My Mother, the wonderful Noir film from 1944, Laura (one of my personal favorite film noirs!), and Life with Jake Gyllenhaal.
There’s a piece this week that discusses the accusation that the website Rotten Tomatoes has become the final arbiter affecting the outcomes of new films. The irony is that in days of old, that was the knock on many of our finest critics. My thinking is that if a movie’s premise sounds interesting, or you really want to see it, and/or if a movie gets good “buzz” or word-of-mouth movement, then the negative reviews from one source shouldn’t affect your decision to see a film. It doesn’t affect mine, and the dirty secret is, as we all know, critics don’t always get it right, folks.
There is a piece from the excellent site: Filmschoolrejects.com, about the origins in the Beauty and the Beast myth that trace back to the Jean Cocteau filmLa Belle et la Bete.
Fem Flicks: The Internet Movie Database (IMDB) has set up a rating to help promote women in film and support and advance their work. There will be a Women’s Media Summit also this month that honors the work of women filmmakers. Both of these articles are found in 6 Degrees of film magazine.
Coming Soon: The L.A. Times has ten movies that are good enough to generate Oscar buzz already, so check out the post and see what you think. That’s the great thing about film. We can all stop and think about the films that affect our lives; there’s the good and the bad ones, the silly and funny ones, the fabulous ones and the classic unforgettable films as well as the very forgettable ones.
My homework this week is going to be to answer the question posed earlier in this post…. The list of films that affect our lives, that shape our views, and have made an impact on us. The post asks us to look at films of the nineties, but we need to look at the Big Picture and include films from several decades past to square this circle.
Looking forward to hearing more about what our readers think regarding films that impact your lives…Have a great weekend, friends, and see you at the movies!-ML
This week there are mixed reviews out for the new live-action Beauty and the Beast starring Emma Watson as Belle the Beauty and Dan Stevens as the Beast. The knock on this is that it’s a CGI version of the exact story that was made so well back in 1991. So now they are re-creating it with live actors and CGI. A remake that falls shot of the original, but isn’t really terrible…hmm, that is not an original story in Hollywood.
There are reviews for not only Beauty & the Beast, but also Kong: Skull Island and Get Out featured in the online 6 Degrees of film magazine. I have a short review of Kong: Skull Island set to preview this week, but in case the suspense is killing you, know that it is recommended to wait for the small screen where you may safely scroll through to the big fight scene.
On this St. Patrick’s Day, they always trot out the predictable Irish film list. It’s a fairly short list, but The Quiet Man, from 1953, is usually at the top of most of them. And I agree, it’s a great film about Ireland, filmed on location and is a beautiful movie both in storyline and visuals. One of the missing points rarely mentioned is the strong female lead from Maureen O’Hara. She plays a young bride who is torn between her brother and loyalty to family and her love for her new husband, played by John Wayne. And even though she is literally dragged kicking and screaming to the final resolution, she is seen as a strong, funny, smart and never cowed Irish woman with a mind of her own. This was quite a feat for the time period when this film was made and Director John Ford brought out all the best elements of O’Hara’s character to create this unique early model of feminism and strength. There’s a review from Filmsite on 6 Degrees that details much of the background of the making of this film.
One other thought about St. Patrick’s movie madness for my Armchair Film Devotees-rent the film, “The Playboys” with Aidan Quinn, Albert Finney, and a young and beautiful Robin Wright. Made in 1992, the film is a romantic drama surrounding a group of touring actors who descend on a quiet Irish village and disrupt their normally placid lives. This is one to add to the usual list of Irish must-see films to break out on St. Patrick’s Day.
From the Past:The Origin stories-a term of late for back stories that are fleshed out and made into feature films. Turner Classic is showing some of the great ones through the month of March. The term “to Gaslight someone” or to cloud someone’s vision of reality is taken from the film, Gaslight starring Ingrid Bergman and Charles Boyer. Directed by George Cukor, it’s still a classic tale.
Frankenstein & The Mummy, both with Boris Karloff, are shown this month. The original vampire story, Nosferatu, a silent film directed by the legendary F. W. Murnau, is shown. The Cabinet of Dr. Caligari was remade recently by Martin Scorsese and starred Leo DiCaprio (Shutter Island).
Humphrey Bogart became a film star, a gangster, after starring in the play, “The Petrified Forest” and then the film version with Leslie Howard, who declared he wouldn’t make the film without Bogart. Bogey was so grateful he named his daughter Leslie, after his friend. And years later, after laboring for many years pigeon-holed as a tough guy, Bogart got his big break in a leading man role starring in Casablanca, in 1942, with Ingrid Bergman.
The original Pink Panther film, that launched so many terrible sequels and a few funny ones, starred not only Peter Sellers but also David Niven, and was directed by Blake Edwards. King Kong was made in 1933 and made a star of FayWray. It is still probably the best version of the story.
Bonnie & Clyde was a huge hit for Warren Beatty and Faye Dunaway, and it also made the career of the noted film critic Pauline Kael, who loved the film and was hired by the New Yorker during this time period. Kael was ascending as a critic at the same time as the New York Times fired their long-time movie critic Bosley Crowther, who hated the film, and had vehemently panned it. Bonnie and Clyde was considered hip, and a product of the new age of film makers coming into their own in the sixties. Violence and sex were still taboo subjects for the mass audience, and Director Arthur Penn’s edgy production was considered cutting edge for its day.
Finally in March for TCM, there’s two films that routinely make the top ten lists for film critics- The Wizard of Oz from 1939, and 2001: A Space Odyssey, made in1968. These two are definitely on my personal list.
There’s a biography in 6 Degrees magazine paying tribute again to the TCM host Robert Osborne, who died this past month. Some film legends and critics are irreplaceable. Robert Osborne, Pauline Kael, and Roger Ebert all fall into this category. The documentary about Roger Ebert, “Life Itself”, is featured in an article on Ebert.com that we highlight in 6 Degrees.
Another exciting feature on the Ebert site is the Women Writers Week, which premieres during the last week of March where they will be showcasing the work of their team of women writers and critics. As mentioned, Pauline Kael was one of the pioneers in film criticism for decades, and her voice, along with Ebert’s, is sorely missed. At a time when more and more publications and news organizations are ditching their staff, we need to focus and promote the great work done by both men and women who write for blogs, online movie sites and other publications where at times, they are paid little or nothing to continue to build up the craft of film criticism and to speak out and promote the arts.
Shout out to my good friend and colleague: Professor Futon Spoonin-who curates the wonderful Flipboard mag: Film 101: Classic Cinema toCelluloid…. Prof: I tried to write to you and couldn’t get thru the maze of Flipboard tech-so here it goes….I plead guilty to the charge and simply add that the nature of the beast: Content Curators-means we are always “ripping off” other people’s content! I think even the New York Times conceded they cannot review all of the films out there…so therefore, we must find great and informative content from all sources available.
This week, on St. Patrick’s Day, wishing everyone the best and hoping that the road will rise to meet you and that you find yourself in heaven, one half hour before the Devil knows you’re Dead!-See you at the movies-ML