Hello Film Fans! Hope everyone is staying well and beginning to get in the Christmas mood with holiday shopping and Christmas movies playing on cable at all hours of the day. This month on Turner Classic, there are some good ‘mood movies’ to help you get in the Christmas spirit.
TCM for the Holidays: The Christmas films we recommend are The Shop Around the Corner and In the Good Old Summertime. We have a list of recommended viewing in Holiday Film News with the Christmas film breakdown. Some other films for lighthearted comedy include the Laurel & Hardy film fest and the Cary Grant film fest.
Also on TCM this month are some Steve McQueen films we recommend: The Getaway and The Thomas Crown Affair and a surprisingly spiritual entry from John Wayne: ThreeGodfathers.
6 Degrees Magazine features some films we anticipate for Winter of 2019. Plus, the Oscar predictions for Best Actress awards for 2018 are listed. We even include a piece on those schmaltzy Hallmark Christmas movies! (Some of them are actually pleasingly watchable, I do admit.)
The Golden Globe Nominations are out, which is an indicator for some of the Oscar nominees in the major categories. And in other award related news, we find that Kevin Hart was in as Oscar Host and out in less than 24 hours after some homophobic tweets from the comedian surfaced. This tells us we are not going back in the age of “Me Too” especially in the Hollywood Global film world
At the Movies: Ralph Breaks the Internet and Mary Queen of Scots reviews are included in the magazine, as well as a favorable piece on the new Spider-verse film; Spider Man: Into the Spider Verse.
Finally we reach the end of the year with the lists of “Best of” 2018 films that will inevitably surface. This has been a good year, but not a great year for releases, so we will see which films are going to make the cut.
Stay tuned for my list of best films, which will encompass the best of the past two decades. That list will give us an idea of where we are headed and in the scope and range of Hollywood which now includes the global reach of films and filmmakers, there are some films that will always emerge as gems that may be under appreciated when they were first released. Have fun and stay tuned as we begin to head into the holiday season. Till next time, see you at the movies!-ML
Hello everyone! This week at the movies, we are looking at some films opening that were highly anticipated, and are now expected to bomb badly. The Nutcracker and the Four Realms is one that looked beautiful, and according to most reviews (See Ebert.com in 6 Degrees Magazine), it is a muddled mess of a story.
Some other news of note include the release of Orson Welles last film that was held up for many years. There is Bohemian Rhapsody, which has also garnered some lukewarm reviews.
Here is 6 Degrees of Film list of films debuting in November, including the Nutcracker remake that has reportedly fallen short of expectations. Check them out here, and in our Fall Film News.
The Nutcracker and the Four Realms is another offering in a series of films that tell the classic story of Tchaikovsky’s Nutcracker, who based his famous ballet on an 1816 story by E.T.A Hoffman. The fantasy film is a big-budget number, with designs and sets that adhered to ‘a strict historical cutoff from the year 1879”. Benedict Cumberbatch will put up his Sherlock Holmes cap to play another classic character, the Grinch, in the animated remake of Dr. Seuss’ The Grinch. The Outlaw King is a period piece about Robert the Bruce, the legendary Scottish king who united his people in their fight for independence from British rule. Chris Pine stars as King Robert.
Fantastic Beasts: The Crimes of Grindelwald is in the Harry Potter sub sequel of a prequel category, introducing fans to a new cast of adorable characters from the Wizarding World. In this film, we meet baby Nifflers, a Kelpie (a Scottish underwater monster) and a Leucrotta-described as a large, moose-like creature. Ralph Breaks the Internet is another children’s film with some grown up proclivities, including the star John C Reilly who is also breaking the internet with multiple films out this year. This film is the sequel to 2012’s Wreck-It Ralph from Disney, where arcade heroes Ralph (With Reilly’s voice), and Vanellope (Sarah Silverman), go on the internet in search of a replacement game part and adventures ensue accordingly. Robin Hood returns to the screen with Taron Egerton starring as the overworked man of the forest in this action adventure film that someone must have clamored for…?
That’s all for now, folks, so until next week, stay tuned in and see you at the movies!
Greetings Film Fans!
Some films to see this week…for the horror lover who is in the mood for something different, there’s The Picture of Dorian Gray, on TCM. It sets a slow pace, but don’t be fooled- there are some moments designed to make you lose your popcorn. Also recommended for fright fans: Seeing the Original Halloween before seeing any remake with or without Jamie Lee Curtis!
At the Movies this week: First Man is opening with Ryan Gosling and has been getting generally good reviews.
The MCU in Hollywood: Here’s one recommended read in 6 Degrees magazine. The article is titled: “How the Marvel Cinematic Universe Changed Hollywood.” There are some valid points made: 1) Big actors are not needed in these films; 2) A Billion-dollar industry has been created where plot points can glide from one film to another and be picked up and shared with different films; 3) The ‘coolness’ of superheroes (I guess?) is another argument… but they also claim that ‘movies will never be the same again’; which is a stretch, as the world of Harry Potter, in my opinion, has had more of an effect. I’ve written a book about the real game-changer, which, of course, was the Star Wars Universe. Comic book genre films are here to stay, and that is true, but the impact due to the huge impression made with the post-film credits is an exaggeration. Marvel films are hits; Star Wars changed the direction of cinema forever.
Here’s an excerpt from the book: 6 Degrees of Film: The Future of Film in the Global Village: From Star Wars to Sin City: Industrial Light and Magic has framed the era and defined it with their many breakthroughs in visual effects. The storyboarding that is critical to their vision is now a major part of most successful film series, and the comic genre that has emerged would not have been a reality without the effects of ILM. The criticism that Lucas and Spielberg films have juvenilized the movies, to my mind, is unfair. These filmmakers have given the public what they want, and there never has been a dearth of creative talent in the film industry.
On the contrary, there are many exciting new avenues for young and innovative minds to bring their creations to the screen, including Internet productions and independent venues. We are always seeing new ways for artistic talent to emerge as the next big thing. Film is changing and evolving as it has from the beginning, and the medium as a mass-communication tool and an art form make this an exciting time to break into the market. The future of film may involve the type of images seen in Sin City and Waltzing with Bashir, where actors are not filmed in the traditional way but with a kind of brushstroke or cartoon quality that enables the plot to go in many different directions. There might be alternate endings and story lines to follow with endless variations. Online, the viewer can access alternative views from various characters’ perspectives. The experience of going into a darkened theater to view a film is changing forever. As in the penny arcades and nickelodeons that began the first century of film, we now see the evolution and dawn of a new age and a new way of understanding the world through the medium of film. George Lucas spoke of his ideas on the future path that might occur using film and some kind of drug to enhance the experience. His ideas regarding future films would make theatrical, narrative-driven movies, in his words, “as quaint as an old silent-reeler”: Lucas: ‘I see true environments being created and combined with a lot of biotech things going on, in terms of manipulating people’s senses through drugs. This combination will have the most powerful effect on the kind of storytelling we’re doing today. It’s too far off for me to worry about, and I’m not interested in virtual reality at its current level, because it’s just too crude. But if you can program virtual reality or simulator rides with biotech, you will have a very interesting non-world. The first step would be to take the simulator ride part of an environment . . . where you can just implant the story in a pill and live it. That’s not outside the realm of possibility. You’d take the pill and go to sleep. It’d be like a dream and you’d have an actual, real, physical experience of something completely imaginary. What that’ll mean for society, I have no idea, and how you’d get there from here is way beyond me, but I know enough to know it’s within the realm of possibility. Because they’re already going there, creating images without actually making them, just as you create them in a dream.’
Hello Film Fans! Each Friday I like to go through the top film blog posts and pull out some of the best blog posts and articles of the week past and highlight them in 6 DegreesMagazine. This week there are film reviews in our magazine for Sorry to Bother You,The Equalizer 2 and Rogerebert.com does a rundown of the Mission: Impossible movies.
One of my favorites from this past week is from Film Comment about director Ingmar Bergmanand his body of work. Although he stopped making movies way back in 1982, his filmography of over 40 films continued to impact directors for decades. The writer speaks of Bergman being liberated when he announced that Fanny and Alexander would be his last film, saying “Bergman was devoted to a cinema liberated from cinema….and added that Bergman is revered in French cinema. “Though an icon of the New Wave,…it is to the next generation that he would serve as a magnetic north.”
The Film Comment writer, Olivier Assayas, goes on to bemoan the lack of psychoanalysis in cinema today (certainly there is no one worthy of Bergman’s insight and skillful dissection of human nature.) Assayas writes “…cinema, which examines the soul through the features of its performers and records both silence and speech,…has always been the best path to approach the chasms of the unconscious’ Bergman certainly did carve a pathway through the human psyche with unique perceptions and there is no one in cinema today that explores the intimate levels of conscious to unconscious thought layer by layer in the same manner as Bergman. This is a recommended read.
Next week we’ll look at some of the big releases coming out in August, as well as the recommended recordings for our continuing Armchair Film Fest! Till then, have fun and stay cool and I’ll see you at the movies!-ML
Greetings Film Fans: We are definitely into the dog days of summer. And at 6 Degrees ofFilm, that means planning a list of favorite films to watch at our own private Armchair Film Fest.Esquire has a list of some of the best films from 2018 so far, and if you are a subscriber to Netflix or other services, you may want to put some of these films you might have missed on the list for the small screen:
• Leave No Trace: From Winter’s Bone director, it’s the story of a father and daughter living off the grid, illegally in the Pacific Northwest.
• Let the Sunshine In: Isabelle (Juliette Binoche) is a divorced, middle-aged artist whose dating life moves from moments of bliss to disappointment and disillusionment. • First Reformed: From director Paul Schrader, a religious drama with Ethan Hawke playing a New York man of the cloth going through a crisis of faith that is accelerated by an encounter with an environmental activist mired in anger.
• The Rider: Story of the West about a young rodeo star facing an uncertain future after experiencing a catastrophic accident. • You were Never Really Here: Joaquin Phoenix is a mentally scarred veteran trying to rescue a senator’s young daughter from a child prostitution ring.
Some others listed were A Quiet Place, Black Panther, Annihilation, Game Night and Isleof Dogs which you most likely would have seen at the movies Ant Man and the Wasp is playing in theatres, and has generally gotten good reviews. Mamma Mia! Here We Go Again can only be recommended to die-hard Abba and Mamma Mia ONE fans (I actually will admit that I’m in that boat!) and Mission:Impossible-Fallout’s has also been receiving good reviews.
Coming soon to theatres is Christopher Robin and The Spy who Dumped Me, plus the Papillon remake that we’ve mentioned in past weeks. So stay tuned and keep cool, friends, and till next time, I’ll see you at the movies!-ML
Greetings Film Fans! Hope everyone had a happy fourth of July. The films of July are here beginning with Ant Man and the Wasp, which has had some good early reviews and a clever trailer to kick off the super-hero film of the month. Here’s a short clip of some other openings from our July/August list:
• Mamma Mia! Here we go again is on July 20th...here we go again… This may not be worth revisiting, but I’m a huge Meryl Streep and Colin Firth fan, and this premise does (not) seem interesting enough to hold our attention….
• Mission: Impossible-Fallout on July 27th.… And I ask without snark….will Tom Cruise ever make a film that is anything other than an exercise of gymnastics and stunts? He was a good actor in another life…
• Papillon is coming at the end of the summer cycle, it’s set for release late in August. This would be hard to beat. The original with Steve McQueen and Dustin Hoffman was a great action-adventure film that was an intense drama and is one of McQueen’s great screen triumphs. Charlie Hunnam (King Arthur) plays the lead, based on the real life story of a Frenchman who is desperate to escape from a life sentence in a French Guiana penal colony.
From 6 Degrees Magazine: Here’s an interesting quote that was unearthed from the late great Stanley Kubrick regarding the very mysterious ending scene in the classic 2001: A Space Odyssey. Kubrick talks of the ending: Kubrick:“The idea was supposed to be that he is taken in by god-like entities, creatures of pure energy and intelligence with no shape or form. They put him in what I suppose you could describe as a human zoo to study him, and his whole life passes from that point on in that room. And he has no sense of time. It just seems to happen as it does in the film…When they get finished with him, …he is transformed into some kind of super being and sent back to Earth, transformed and made into some sort of superman (alluding to the star baby.) “We have to only guess what happens when he goes back. It is the pattern of a great deal of mythology, and that is what we were trying to suggest.”
This is fascinating as so much has been written and speculated about regarding the fate of the astronaut and the entire ending sequence. The most important thing I pulled from this was in line with what I’d always heard when people talk of this film. 2001 allows anyone, the average man on the street, an intellectual or a science-fiction fan, to imagine the ending in their own way. We can ‘guess what happens’ when he returns to Earth as the fantasy star child. And the mythology is added to give it a special element of interest. (Much the same is said about the mythology that George Lucas attached to his Star Wars characters to give rise to an entire new mythology!)
At the Movies: The indie film getting a lot of good buzz is Sorry to Bother you. It’s about race and is a satire and send up of the gig economy and was directed by Boots Riley, who is a musician by trade.
Movies about America: The fourth brings out a spate of articles on which films are considered “American.” The essence of what America is can be found in many classic Hollywood films; and it means so many things to many different people, It can only be a subjective idea, and for me, my personal picks would include The Right Stuff; Apollo 13, American Graffiti; An American in Paris, North by Northwest; Butch Cassidy & TheSundance Kid & The Godfather. One film that is on my list and is showing this month on TCM is On the Waterfront with Brando, and I see this film as essentially American with Brando in the lead role in many ways, it’s a deeper and more pivotal role than Brando’s signature role from A Streetcar Named Desire, and it deals with the idea that anyone can be anything which is the essence of the standard ideal of the American Dream.
Recommended for Armchair Film Fest: Continuing the theme of great American films, this is a great month for classic American actors with Steve McQueen as the featured actor on Turner Classic. One of my favorite things is to discover and recommend lesser seen films from famous actors where most people recognize them from their more popular work. With McQueen, some of his great performers are in some of his lesser known films. Those films would be The Getaway, Soldier in the Rain, and Nevada Smith, which are seen less than McQueen’s big debut film, The Great Escape. Another film to watch out for starring Steve McQueen is Papillon, which has been remade and will release, as we mentioned above, this August.
Armchair Film Fans to watch for in July on Turner Classic: • Classic Comedy duos:Turner Classic is showing two of my all time favorite from two great comic teams, Abbott & Costello & Laurel & Hardy.Time of their Lives is a departure for Abbott & Costello in that they didn’t work together on film as they had in the past. The plot called for Lou to be a ghost who haunts the grounds where Abbott is just one of a group of people working to solve a mystery surrounding the death of the two ghosts. And Sons of the Desert is a comic masterpiece that no one who has ever loved Laurel & Hardy should miss.
• Steve McQueen Film Festival: Some must-see’s to recommend are Soldier in the Rain,The Sand Pebbles-McQueen’s only Oscar nomination for Best Actor, Bullitt-his greatest performance, and Papillon, One of the reasons that McQueen was a great actor was the fact that like Gary Cooper in another era, he made it seem effortless. In a time of ‘angst’ where acting studios and method actors produced Marlon Brando and Montgomery Clift, McQueen was a tough guy who drifted onto the screen and not only oozed charisma and masculine charm from every pore, but also had a kind of vulnerability not seen before in many actors. Like Cooper, he was a natural.
That’s it for now. Have a great week and till next time, see you at the movies!-ML
Some of the best action for film fans this week is going to come from the small screen. This week on Turner Classic:6 Degrees Magazine has reviews for the upcoming films recommended for 6 Degrees Armchair Film Fest followers to record: The Graduate; An American in Paris; Death of a Salesman (the film from 1985) with Dustin Hoffman playing Willy Loman; Attack of the 50 Foot Woman with an excerpt of the original Variety review from the 50’s; Spielberg’sClose Encounters of the Third Kind; The Academy award winning film The Bridge on the River Kwai and an article from Film Comment featuring Man in the Wilderness with Richard Harris.
There’s a piece from Ebert.com about one of the early feminist role models-Ida Lupino-who directed many of her own films and took control of her career from an early age. There is also an article on Ebert.com about diversity in film criticism. Or more accurately the lack thereof. The article, entitled Where are Our Diverse Voices in Film Criticism, points to the fact that of the top 100 movies in 2017, the male critics reviewed three quarters of the films, while females critiqued only about a quarter of them. But feminists may take heart from a look at 20 rising female filmmakers listed this week in an Indiewire.com post.
Check out the article on Won’t you be my Neighbor?, the documentary about children’s television pioneer Fred Rodgers. Here’s a link to a piece I wrote about Mr Rodgers, talking about the documentary recently shown on PBS of his work on public television.
Other recommended reads for this week include this from Indiewire on the best Black American films of the 21st Century; and a Forbespost arguing that Solo and Justice League’s failures killed the Cinematic Universe. Writer Scott Mendelson reasons that “...A Star Wars Episode is an EVENT…A Star Wars STORY is Not. When audiences crave only event fare, the cinematic universe is an act of glorified financial suicide” Perhaps that is the case, and we will see Mendelson’s theory put to the test later with John Wick and other franchise films that are looking for box office gold.
Film Reviews for Incredibles 2 prove the film is as funny as the trailers depicted, And for the science geeks among us, syfy.comfeatures a look at the physics behind the power of the Incredibles. There’s a movie trailer for the upcoming Aquaman which is out this December; and a trailer for the live-action film remake of Dumbo from Tim Burton. There’s good reviews for Ocean’s 8, the female version of the Ocean’s Eleven heist theme which opened this week.
For the Armchair Film Fest, I recommend Jeremiah Johnson and The Graduate. If you love musicals, there’s Singing in the Rain and An American in Paris this week. Plus Sinatra fans will have a choice of some of his best screen work. I’d recommend Pal Joey over almost all other films for Sinatra fans to record and savor.
At the movies I recommend documentaries for those who may have tired of some of the super-hero fare at the box office. I’m going to see the Mr Rodgers film, Won’t You be my Neighborand will set the idiot box to tape some of the aforementioned classics on Turner Classic this week. Till next time, have fun and be safe this summer and I’ll see you at the movies!-ML