The following is an excerpt from my book: 6 Degrees of Film: The Future of Film in the Global Village-published in 2013-MLJ
One of my biggest beefs is that even in the twenty-first century
the Academy Awards show looks a lot like a holdout from a
bygone era. The glitz and glamour are not as believable when
there is so much more to the film industry in the modern era.
The age of computer imaging and video games and the type
of sophisticated special effects used in modern films are barely
acknowledged. Little mention is given to the separate awards
ceremony held for the scientific and technical awards. James Cameron invented a new method of filmmaking, and George Lucas and others initiated many breakthroughs in the
way we see things on film. But none of these accomplishments
are honored. New categories should be created to acknowledge
these developments so they can be brought to the public’s
The global village of filmmaking is compartmentalized
into one or two categories of short films and the foreign film
category. Even though Slumdog Millionaire won several Oscars
in 2009, the film is treated as if none of that ever happened.
The encapsulated world of Hollywood elites still appears to be
fairly homogenized (barring a few obligatory jokes about Jews
in Hollywood). The only nod to the changing of the guard
was in 2010 when Barbra Streisand handed the Best Director
award to a woman (Kathryn Bigelow for Hurt Locker) for the
first time, and when Halle Berry, the first African American
woman to receive the Best Actress award, acknowledged
Hattie McDaniels and all of the women of color who had
come before her.
If Hollywood and filmmaking are a large part of the
American persona, and this show is one of our best chances
to advertise our unique and diverse American way of life,
then why doesn’t Hollywood pull out all the stops on these
occasions? Instead, the powers-that-be in Hollywood present a
timid and tepid tribute to films in a way they have done many
times before. Shouldn’t there be some acknowledgement of
innovation? To my mind, that is “the stuff that dreams are made of,” which Bogart spoke of so long ago.
Greetings Film Fans: The broadcast is coming soon for the Oscars, and the controversy over the decision to not include the cinematography categories during the live show has been resolved. This is the SECOND major controversy that has been addressed in the post Me-Too and whitewash era that the Academy (of old white dudes) has had to address.
This crisis is specifically one that will just address the 1% attitude that some of the awards are more important than others, and admittedly, many are more popular than these awards if you are not in the ‘biz’,as they say. But for the arbitrary decision to be made, for a numbers game of ratings to reduce the show’s time by simply eliminating some of the work that these people have been doing for decades and dismissing the categories as not important enough seems to be callous beyond belief. So many people objected, including an impassioned Russell Crowe, as well as prominent directors and others, that this had to be reversed.
So the favorites are still The Green Book and Glenn Close for Best Actress in The Wife. Other than that, it seems to be pretty wide and open. It would be amazing to see Spike Lee receive the first Best Director award for BlackkKlansman. And Christian Bale did phenomenal work in Vice that may also be a shoo-in. However, although I’ve complained for years about the awards ceremony, the length, the need for new categories, I will still watch it to see what happens.
You never know if they’ll call out the WRONG picture for Best Picture category?! Stay tuned for Oscar News, as we wrap up awards season in La La Land. Some stand out articles in 6 Degrees magazine this week: A piece on the films of the French New Wavecinema and one on the late great film criticPauline Kael.
Till next time friends, stay cool (in the movie theatre) and see you next time at the movies!-ML
Hello Film Fans! The Awards season is here. Some of the big winners so far have been The Green Book,The Favourite, Roma and A Star is Born, with the latter two also receiving multiple Oscar nominations. Black Panther was recognized in the Academy’s Best Picture category, and Glenn Close is the favorite for Oscar’s Best Actress award with her performance in The Wife.
The Sundance Film Festival is under way and Robert Redford emphasized diversity in his opening remarks. Hollywood has been particularly sensitive to this subject with the controversies of ‘white-washing’ in films about people of color, as well as the lack of diversity in female directors, critics and writers and the ongoing under-representation of women in the industry.
Although some of you may have read from time to time my complete lack of enthusiasm for the comic-book genre as a whole, there have been some great movies within the genre over the years. I have always maintained that a writer as great as a Shakespeare (or a Lin-Manuel Miranda), could take a traditional story and spin it into a great film or work of art. That happened in the case of Shakespeare using the re-worked and well-worn stories of his era and creating great classics. The following short list includes some of the best of the super-hero genre:
Superman(1978) with Christopher Reeve Batman(1989) with Jack Nicholson/Michael Keaton Iron Man I (2008) Spiderman I (2002) The Dark Knight(2008)
Black Panther (2018)
Some of the super-hero films to look for in 2019 include a new Spider-Man sequel to the 2017 Homecoming titled Spiderman: Far from Home with Tom Holland as Spidey; Avengers: Endgame is out in April and the plot is said to be ‘murky’-perhaps muddled may be closer to the truth. Shazam!, released in April also, should be lighthearted and fun with Zachary Levi debuting the character of a 14 year old boy who turns into the adult superhero.
One film with great trailers that might be a sleeper is The Kid who Would be King which is a new spin on the Arthurian legend of the Sword in the Stone. It’s reviewed in 6 Degrees Magazinethis week, along with reviews of Glass (No 1 at the box office last week), and one of my favorite films, The Lion in Winter-recommended for your small screen ‘must-see’ movie list.
With the Oscars coming up, and winter weather closing in, it’s a good time to pull out your Armchair Film Fest Movie list and settle in to watch some classics. Till next time, see you at the movies!
Greetings to all 6 Degree film fans! Hope everyone has had a wonderful holiday season as we are all settling back into the routine for 2019. We’re out of the gate with a bang, as the awards season is already upon us. The Golden Globes have knocked A Star is Born from the top spot with surprise winners in Bohemian Rhapsody and The Green Book. 6 Degrees of Film magazine has a great piece on Duck Soup at 85, from rogerebert.com. And the Stan & Ollie movie, which was well received, is featured with an interview with John C Reilly. There’s an interesting piece on whether or not films that are panned can still be big hits. The history of film tells us that many films considered classics today were panned at the box office when they were first released. Oscar Watch includes the horror film, A Quiet Place, starring John Krazinski from The Office .Crazy Rich Asians was a surprise hit, and director Alfonse Cuaron’s semi-autobiographical Roma has been proven to have ‘legs’. There has also been very good buzz surrounding director Peter Jackson’s restoration of the remarkable WW I documentary footage in They Shall Not Grow Old. The Mr Rogers documentary Won’t you be my Neighbor? has also been designated as a sleeper hit. Tom Hanks is set to play Mr Rogers next year in a bio pic.
What about the Best Films lists? Rogerebert.com features a list of the years best, and there are many others featured in our magazine from other online blog sites We recently featured some 2019 films that have been previewed in the past weeks. Here’s 9 for 2019 from 6 Degrees:
Once Upon a Time in Hollywood, directed by Quentin Tarantino and starring Leo DiCaprio and Brad Pitt is about the Tate LaBianca murders of 1969 Tilda Swinton stars in a thriller about a Scottish woman who begins to hear strange sounds while travelling in Columbis, in Memoria Jordan Peele has another horror flick following the success of Get Out. Us is about a family holiday at the beach with some unexpected guests… Little Women is set for another remake from Director Greta Gerwig
The long awaited Scorsese project, The Irishman stars DeNiro, Pacino, Joe Pesci and Harvey Keitel in a film involving the mafia-union wars in the 70’s.
And there’s the usual suspects: The expected list of sequels and serial films include:
Toy Story 4 from Pixar
Frozen 2 Star Wars: Episode IX Captain Marvel is the ‘first female superhero film from Marvel” starring Brie Larson
And in the great tradition of end of year lists for just about everything, here’s the link to our list from a few weeks ago that features the best of 21st Century films to see… Till next time, see you at the movies!-ML
Hello Film Fans! Hope everyone is staying well and beginning to get in the Christmas mood with holiday shopping and Christmas movies playing on cable at all hours of the day. This month on Turner Classic, there are some good ‘mood movies’ to help you get in the Christmas spirit.
TCM for the Holidays: The Christmas films we recommend are The Shop Around the Corner and In the Good Old Summertime. We have a list of recommended viewing in Holiday Film News with the Christmas film breakdown. Some other films for lighthearted comedy include the Laurel & Hardy film fest and the Cary Grant film fest.
Also on TCM this month are some Steve McQueen films we recommend: The Getaway and The Thomas Crown Affair and a surprisingly spiritual entry from John Wayne: ThreeGodfathers.
6 Degrees Magazine features some films we anticipate for Winter of 2019. Plus, the Oscar predictions for Best Actress awards for 2018 are listed. We even include a piece on those schmaltzy Hallmark Christmas movies! (Some of them are actually pleasingly watchable, I do admit.)
The Golden Globe Nominations are out, which is an indicator for some of the Oscar nominees in the major categories. And in other award related news, we find that Kevin Hart was in as Oscar Host and out in less than 24 hours after some homophobic tweets from the comedian surfaced. This tells us we are not going back in the age of “Me Too” especially in the Hollywood Global film world
At the Movies: Ralph Breaks the Internet and Mary Queen of Scots reviews are included in the magazine, as well as a favorable piece on the new Spider-verse film; Spider Man: Into the Spider Verse.
Finally we reach the end of the year with the lists of “Best of” 2018 films that will inevitably surface. This has been a good year, but not a great year for releases, so we will see which films are going to make the cut.
Stay tuned for my list of best films, which will encompass the best of the past two decades. That list will give us an idea of where we are headed and in the scope and range of Hollywood which now includes the global reach of films and filmmakers, there are some films that will always emerge as gems that may be under appreciated when they were first released. Have fun and stay tuned as we begin to head into the holiday season. Till next time, see you at the movies!-ML
The Oscars show was always a big deal for me…but in recent years, …not so much. The glamour is not there, and there are so many award shows, it just doesn’t pack the same punch. The turning point for me happened when they sent the Disney characters into the audience one year and Tom Hanks and Paul Newman just looked embarrassed. They don’t seem to know how to bring the show into the modern era
The biggest problem that has been widely documented is the diversity issue. The Academy was an “Old White Guy” organization and it showed. They have worked on trying to repair the breech, but it’s been painfully slow to watch.
Some stand-out moments I remember from recent years occurred when Lady Gaga sang The Sound of Music, and then when Billy Crystal returned to host the show it just seemed funnier, but James Franco remains, in my opinion, the worst host in Oscar history. I hope the show isn’t overlong, and the disaster of an announcement for Best Picture doesn’t occur again…Warren Beatty is probably blackballed forever. I keep watching it out of habit, but with each passing year, the glitz and glamor of a bygone era becomes more painfully evident.
One of my biggest beefs is that even in the twenty-first century the Academy Awards show looks a lot like a holdout from a bygone era. The glitz and glamour are not as believable when there is so much more to the film industry in the modern era. The age of computer imaging and video games and the type of sophisticated special effects used in modern films are barely acknowledged. Little mention is given to the separate awards ceremony held for the scientific and technical awards. James Cameron invented a new method of filmmaking, and George Lucas and others initiated many breakthroughs in the way we see things on film. But none of these accomplishments are honored. New categories should be created to acknowledge these developments so they can be brought to the public’s attention. The global village of filmmaking is compartmentalized into one or two categories of short films and the foreign film category. Even though Slumdog Millionaire won several Oscars in 2009, the film is treated as if none of that ever happened. The encapsulated world of Hollywood elites still appears to be fairly homogenized (barring a few obligatory jokes about Jews in Hollywood). The only nod to the changing of the guard was in 2010 when Barbra Streisand handed the Best Director award to a woman (Kathryn Bigelow for Hurt Locker) for the first time, and when Halle Berry, the first African American woman to receive the Best Actress award, acknowledged Hattie McDaniel and all of the women of color who had come before her. If Hollywood and filmmaking are a large part of the American persona, and this show is one of our best chances to advertise our unique and diverse American way of life, then why doesn’t Hollywood pull out all the stops on these occasions? Instead, the powers-that-be in Hollywood present a timid and tepid tribute to films in a way they have done many times before. Shouldn’t there be some acknowledgement of innovation? To my mind, that is “the stuff that dreams are made of,” which Bogey spoke of so long ago….
And here we are, five years after 6 Degrees of Film was published, and I still have the same complaints! There are no innovative new categories, and the diversity issue is still front and center. We are still talking about the ‘old white guys’ show, with few exceptions.
But this year may be different. In this changed atmosphere, post #MeToo and Harvey Weinstein, then there may be some movement in the gender discrimination category.
Would it kill them to be innovative and come up with some new categories? Such as best “Breakthrough Performer” or Most Promising….really anything that smacks of “Something Different.” There’s been some discussion of late about naming the Best Picture that was awarded the Oscar for “Best Picture.” The Godfather and Lawrence ofArabia come to mind.
Movies of the 21st Century
Winners in this category would be Slumdog Millionaire, with The Lord of the Rings: The Return of the King, A Beautiful Mind and Gladiator being on the short list.
Nominated films that were superior include: Lost in Translation, Capote, Munich, Juno, There Will Be Blood, Up, The Social Network, Inception, Moneyball, Gravity, Her, The Big Short, The Revenant, Arrival, Fences, and a few more that define the times we live in much better than the films that won the Oscar.
This year, Lady Bird and Get Out will probably not win, as they are not odds on favorites. The Shape of Water is an interesting entry, and it gets my vote, but Three Billboards is an outside favorite that has a good chance.
The point of it all isn’t really that these winners are the “Best” films, but the films with either more popular votes from Academy winners, or they represent a snapshot in time, and may or may not have staying power. Most of the recent winning films are forgettable.
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Sign up for my mailing list to see all the latest news in film each week in Friday Flix. 6 Degrees of Film magazine features all the latest reviews and articles from leading publishers about current and classic movies. In editing the magazine, I make a point of going into the archives as well as searching the internet to find the latest reviews and summarizing the Big Picture each week in Friday Flix.
6 Degrees of Film blog features quarterly newsletters, weekly film reviews and reports, as well as excerpts from my 2013 book6 Degrees of film: The Future of film in the GlobalVillage. We also include reviews of classic movies, and current films in theaters and recommendations on television in the recurring feature: The Armchair FilmFestival. In other words, 6 Degrees is your one-stop shopping for all the film news that’s fit to print. Join us as we go through the latest winners and wrap up the Oscars report this week. We love to hear from you all….Enjoy the show and until next week, see you at the movies!-ML
Happy Friday! Here’s a look at some of the stories that have been front and center in Hollywood these past few days. The Oscar Race is underway, with leading contenders like “The Shape of Water” and its director Guillarme del Toro, vying for the Oscar along with some dark horses such as 22 year old Timothee Chalamet who is nominated for Best Actor for Call Me By Your Name.
Best Actor bets are on Gary Oldman for his portrayal of Churchill in Darkest Hour, but past winner Daniel Day-Lewis is also up for Phantom Thread, as well as fellow Oscar winner Denzel Washington (Roman J Israel, Esq) and Daniel Kaluuya(Get Out).
The Best Actress category features first time nominee Sally Hawkins, who played the mute cleaning woman in The Shape of Water up against Oscar winnerFrances McDormand (Three Billboards Outside Ebbing, Missouri), the “legendary’ Oscar winner Meryl Streep, who is nominated for The Post, plus Margot Robbie in I, Tonya and Saoirse Ronan in Lady Bird.
In Theatres: Fifty Shades Freed is out, and mercifully brings the series based on the best-selling book to an end. The reviews have not been kind. Also out is the much-anticipated Black Panther superhero film, which has garnered good reviews in early release. Clint Eastwood directed the 15:17 to Paris film, based on true events, and it has had mixed reviews.
There’s an article in 6 Degrees Magazine about the highest grossing movies, and at Friday Flix, we listed the top ten a few weeks ago. The all time biggest grossing movies, both Number 1 & 2 were directed by the same man: James Cameron. Cameron directed both Avatar and Titanic.
The latest Star Wars offering just made the top ten list, which means there are two of the highest grossing films in history from the Star Wars Franchise. Disney, as we know, owns the Star Wars franchise, so the total number of films from the Disney franchise in the top ten list is five, meaning half of these big box office winners are Disney films.
The good news here is that there are creative forces at work that have helped to shape these films…from James Cameron’s innovative cinematography to the development of CGI that began when George Lucas started Industrial Light and Magic over thirty years ago (See the excerpt recently published on our blog from 6 Degrees of Film.)
And “Girl Power” is more of a force than ever in film-making, with Frozen and the introduction of the Jedi Novitiate Rey in the Star Wars franchise. But there are still far too many films that rely on thin plots and comic book premises, CGI rendered story lines and weak plot points that have brought us to where we are in the film industry. Films that simply churn out the same tired super hero stories in sequel after sequel with formulaic plots and overly simplistic characters have become the standard in Hollywood filmmaking. And unfortunately, it sells.
There are approximately three-count ‘em…three, films on the list of top ten films that are not sequels or have not been made into a series. Frozen has had spin-offs, but it is the only animated film to make the list. This speaks to the rising tide of women and girls who clamor for strong female role models, beginning with little girls who want to see the heroine carry the film for a change. Titanic was a ‘one-off’ for obvious reasons, although I would never say never in this environment. And the Avatar sequel is in the works, though Cameron has delayed the announcement of a definite opening date for several years.
Films like Lady Bird, The Florida Project, Three Billboards Outside Ebbing, Missouri, and The Shape of Water still get made. There are original projects, great writers and talented actors and directors who give us wonderful and creative films despite the long odds. But the overwhelming trend in recent years has been to stick with the predictable models and continue to churn out the ‘chum’ of sequel-mania. And the list for 2018 doesn’t indicate many changes anytime soon.
Coming Soon: But when something comes along that looks interesting, original, creative and fun, we will be right up-front cheering the film along! There’s a unique entry from Wes Anderson coming soon called Isle of Dogs, which is a stop-motion film; and Ron Howard is directing Solo: A Star Wars story, which should be entertaining.
Sundance Film Festival featured The Kindergarten Teacher, and Joaquin Phoenix has received lots of buzz for his performance in the upcoming You Were Never Really Here. Check out the Film Comment Podcast:“I loved it when I was a kid”, talking about movies that the critics saw and remembered from their childhoods. It’s always fun to look back on those movies we loved, and sometimes to cringe when we watch them again and realize they weren’t always great cinematic gems, but then again, sometimes we enjoy them even more when we see them after all these years!
Until next week, have fun and see you at the movies!