6 Degrees: Friday Flix

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6 Degrees of Film

Lots to discuss this week in the film world. 6 Degrees has picked up some interesting comments in the past week regarding the hit movie Wonder Woman and the star power of Tom Cruise, among other things. Here’s some of the highlights from our 6 Degrees Magazine.

 

Critics Corner: Reviews are in for…Rough Night with Scarlett Johansson. The verdict-no surprise is…it doesn’t look funny. My Cousin Rachel has received mixed reviews, but this adaptation from Daphne du Maurier’s novel is favorably reviewed in the post at thecriticalcritics.com site. Churchill is reviewed at the Movie Waffler site, and this film also has received mixed reviews, and although the lead (Brian Cox) is praised, they also conclude that the small screen would easily carry this production (I’m not the only one who has started using this small screen/large screen marker to review films!)

Interesting Reads: The Supreme Court case Loving v Virginia came up 50 years ago this month. One of the films from the sixties, “Guess Who’s Coming to Dinner?” dealt with an inter-racial couple. But we don’t seem to have moved very far in telling the story that was told with veterans Spencer Tracy, Katherine Hepburn and Sidney Poitier. Fifty years later, we are still stuck in the time warp, and this piece from NPR in 6 Degrees Magazine talks about reasons why that has been the case.

Hollywood News: Avatar is the Number One film of all time in terms of Box Office Hits. There is no date set for the planned sequel, but since it’s made more money than any other film in history, there is no doubt there will be another one coming round the bend.

One of the more complex issues is Net Neutrality. There’s a good article on Indiewire.com entitled: “Netflix Cares about Net Neutrality Again, and Here’s Why You Should Too” that attempts to explain the complexity of the arguments for and against, and basically lets the audience know that Big Corporate entities in general are not on the side of the average consumer.

In our magazine, there’s also an interview from Daily Actor with Geoffrey Rush, a consummate character actor. Speaking as one who has seen more than her fair share of films, the character actors usually tend to be the most interesting ones that carry the big films, that share the most intimate dialogue and give us the biggest laughs and the truest tears. It’s the actors that we know by their faces, but probably not by their names. They are not huge stars, but they are hugely talented and almost always have the most interesting and complicated characters to play onscreen and onstage. Geoffrey Rush is one of these characters.

What’s Coming: Here’s a point of personal privilege for those enraged readers who found my assessment of Doctor Strange in comparison to the Wonder Woman character completely idiotic. This is from a site that thoroughly covers the comic book genre (Fittingly titled: “We Got this Covered”)For many, the involvement of Doctor Strange is one of the most intriguing things about the upcoming Avengers: Infinity War. After being brought to life in wonderful fashion by Benedict Cumberbatch in November, the hero has quickly become a firm fan-favorite, with audiences eager to see him on screen again.”

Ok, that was my small vindication after trodding on some vehemently PRO-Wonder Woman fan’s toes who didn’t agree with my assessment. But for all that feel, as I do, that Cumberbatch is the superior actor and the film he played in was the better of the two, you’ll be glad to know that Benedict’s role in the upcoming aforementioned Infinity times….whatever has been greatly expanded.

The controversy is usually simply one of taste. And perhaps, as I suggested, some men may prefer seeing the beautiful and scantily clad figure of Gal Gadot as she races to the rescue from the trenches of World War I. However, one unforeseen lapse on my part was the political implications that would make Wonder Woman a hotbed of controversy.
Here’s a quote from someone: “I think the Zionist/Israeli lobby are behind Wonder Woman’s success. Let’s not forget that the movie heroine is an Israeli citizen”….Well, where to begin. Films are not reviewed with the political implications that are suggested here. Films are reviewed, hopefully, in terms of craft. The film is a statement of the entire production’s input, including the Director, the Producer, the Studio, and the artists who create the characters and in these modern times, the Computer Graphics and the cinematography surrounding the story

We are not going there, meaning into the politically charged motivations for someone who has a certain mind-set. However, the film that has been reviewed is part of a series of long-standing support; a genre emerging in Hollywood known as the comic-book genre complete with Origin tales of super-heroes. Hollywood’s intent, let there be no mistake-is to make money and make more movies. That has been the intent of the studios since they were filming in the back lots in New Jersey and at Edison Studios before they hit the sunny streets of Hollywood, California (Reference: 6 Degrees of Film: The future of film in the global village).

But the auteurs, the directors, the actors and the producers are also creating art. Some people may scoff at the comic book genre, but we know that Shakespeare created art and he worked pulling his plots from lots of dog eared material that had been floating around for ages. My point is that art can be created from any source material, including a comic book. And art is, as beauty, in the eye of the beholder.

I believe that Ms. Gadot is a beautiful woman who has created a memorable character in the person of Wonder Woman. The myths and the artistic license may at some point create a film that can be truly seen as a work of art. I never particularly cared for the original “Star Wars”, which is heresy for a film critic. However, I thought The Empire Strikes Back was a darn good film. As I’ve written before, I’m waiting for some creative genius to take hold of the material found in comic book form and create something wholly other, a masterpiece that will make the entire industry stand on its head to see where this new form of artistic expression is coming. It may not be that far down the road!

Films have somehow become as political as the rest of our society, with folks on both sides seeing and reading events into the creation of the films that aren’t supposed to be there. I heard some other feedback this week also. Here’s one general comment: “Hollywood is a big, “incest-fest” anyway…the same ten actors and actresses get cast in every movie.” Now, this one I do agree with to a certain extent.

But again, being an old person, I remember a time when it seemed John Wayne or Jimmy Stewart or Clint Eastwood got cast in almost every film-certainly every Western film. So that critique has been around for a while. But the critics are always going to take issue with famous actors and their privileged lives.
To that point, I also thought Tom Cruise was a good actor, at one time. But he has certainly been lambasted recently, especially with the awful reviews coming in for The Mummy  (which somehow has managed to make money regardless of the bad reviews.) This comment comes from a harsh critic of Mr. Cruise: “It’s been 15 years since he’s been relevant!” Cruel. I think that there’s a ring of truth, but nevertheless, that was a cruel comment.

So, we find that the harshest critics, as with restaurant and hotel reviews of late, come from the movie fans simply reading the articles and agreeing and disagreeing, as is their wont. Keep up the good work, movie fans, and know that it gives us something to write about! I’ll keep working to get it right and till next time, see you at the movies!-ML

The Wonder of the Praise of Wonder Woman

W Woman 2017

The final verdict: It was okay, but Dr. Strange was a better movie. It’s hard to say if this was one of the top tier comic genre films, as they are coming at us so fast and furious-couldn’t help that one!…And, there seems to be such a dearth of fairly good Hollywood Blockbusters at this juncture, that any movie that follows a fairly cohesive plot line is heaped with immense praise.

There were some good moments in Wonder Woman, but the wonder of it all was why there was so much praise heaped upon this one film? Perhaps the bar has been lowered to the point that simply being able to tie the plot points together and end the film with a plug for the rest of the DC Comic Universe (as opposed to DC!) makes for what passes today as decent film-making.

The films of the comic-book era that stand out include Batman, the original and the Dark Knight series, the first Thor film, and Dr. Strange, with Benedict Cumberbatch mainly supplying the added zip to the series. But, this film has been notable in that a female director was chosen, Patty Jenkins,to film a story that included the Amazonian women of Paradise Island along with the beautiful ingénue, Gal Gadot, playing the lead of Wonder Woman.

The suspicion is that many of the males seeing this were perhaps overawed by the female power knitted into the fabric of the super-hero genre that produced the ultimate fantasy woman-Wonder Woman. However, the film’s rise and fall really wasn’t with the acting chops of  Gadot, or any one stand-out performer. It touched on the naivete and simplistic dedication to the cause of justice that overrides all the knit-picking realities that crop up with the super-heroes who are intertwined into the actual history of the world.(In this case, the history of World War I).

Lending the film some mystery was the dark cinematography of the second half of the film; it seemed to be in stark contrast with the bright and beautiful landscapes from the fantastic world where Wonder Woman originated. That, and the CGI that dominates all comic films was the journey and the medium’s message for the extent of this film.

So, the verdict is to see this or not, depending on your radar for the love of comic characters, or CGI, or simply good-looking and athletic Amazonian women who dedicate themselves to the causes of justice and freedom. You may want to wait for the small screen, or go for it, depending on your own dedication and predilections. In any case, make sure to catch Dr. Strange if you haven’t seen it. That one remains the better film of the two.

6 Degrees: Friday Flix

6 Degrees of Film
6 Degrees of Film: Friday Flix

Lately, I’ve been talking about the problems in the Oscar broadcast, as well as the mentality of the entire Academy of Motion Pictures. Other problems are cited this week in a piece from 6 Degrees Magazine talking about the obscure Best Picture winners that nobody sees. Moonlight is no exception. It’s the second lowest-grossing winner in history (The Hurt Locker is first!) Spotlight and The Artist were also box office failures. Which doesn’t mean they aren’t good films, or that they will not eventually be recognized. But five of the past eight winners were rather obscure, little known films. There seems to be a pattern emerging here, as I mentioned last week. The Academy needs to rethink their criteria for judging these films, as well as the categories they’ve set up.

What Critics are saying aboutMarch Movies that are being released to DVD or coming to the small screen in 2017 include: Memento; Blazing Saddles; Jurassic Park; This is Spinal Tap; Pete’s Dragon; The BFG; Who Framed Roger Rabbit; The Life Aquatic; Wht’s Eating Gilbert Grape; A Man Called Ove; Sweden- Sing; Fantastic Beasts & Where to find them; Passengers; Miss Sloane; Assassin’s Creed;Elle; Silence; Patriot’s Day and Midnight in Paris.

The Logan spinoff film with Hugh Jackman has had generally good reviews. Kong: Skull Island has also opened to favorable reviews. Get Out, a Horror/Thriller directed by Jordan Peele, has been given almost perfect scores from Rotten Tomatoes, and has earned some rave reviews. The romantic comedy Table 19 has, on the other hand, been generally panned across the board. The Great Wall with Matt Damon has also been panned and considered a flop. Finally, there is a long-read on the Some Came Running site in praise of the Martin Scorsese film Silence, recently released.

The genre of comic book films was discussed in The Guardian this past week. The critics have come out with a list of favorite superhero films, and they include: Batman from 1989 (my favorite also!); Captain America: The Winter Soldier; Thor: The Dark World and The Dark Knight. All of these are generally well reviewed and represent some of the best in a newly established genre that has had some weak entries in recent years. There are some imaginative possibilities in this category, but the lazier end of the spectrum can provide simply a host of CGI scenes with little chance of clever dialogue or original scripts.

Best of the Web: From the Ebert.com site, there’s a great tribute to the actor Bill Paxton, who died suddenly last week. A piece in Film Comment laments the death of the comic film. One quote said, “Hollywood has perfected {the comic film} using the generic formula and familiarity to generate laughs.” We live in a fast paced and ever changing media environment, and the society has created the need for ever more complex screen stories. We need characters created in classics such as The Thin Man or His Girl Friday, or physical comedy that rivals the early Jim Carrey films or classic Chaplin or Keaton. In other words, the films that pass for comedy these days aren’t really all that funny, and they don’t seem to be trying too hard.

Recommended: Logan, Fences; Lion at the movies. Arrival is recommended for the small screen. And if you like Hugh Jackman, rent the following: Kate & Leopold; Scoop; Les Miserables.

The Big Picture: Movies for 2018 awards are already being mentioned. They include: The Big Sick- A Romantic Comedy with Ray Romano & Holly Hunter; Dunkirk with Tom Hardy. The true story of the massive evacuation known as the “Miracle of Dunkirk”; Christopher Nolan directs;  and Darkest Hour- Gary Oldman plays Churchill during the Battle of Britain.

The idea that films are somehow immune from the other problems that plague us in society is laughable. We are a divided nation politically, and even, or perhaps especially, our film community illustrates the divide we face. There is always a need for films with clever, witty dialogue, actors who charm and move us in the same breath, films that unite us and great directors who challenge us to look at life in a new and different way. These are the challenges as we move into the future, and as mentioned this past week, these are the types of films that we don’t see often enough. Art has always been about the future, and a new way of looking at life. This is a pivotal moment in the field and craft of film-making, and let us hope that there are artists working today that will rise to the occasion and
bring us together through the great and beautiful art of film-making.

Capsule Review: Dr. Strange

ben-cumberbatch-dr-strange
Except for a brief mention of the Infinity Stones, this film pretty much stands as a separate story and isn’t mired in the Marvel Universe. This is an origin tale, but with Benedict Cumberbatch, it’s more about the character than the comic book. The film feels as if it’s not simply the glib and at times desperate for laughs stylized pieces like the “Guardians’ movies appear to be. Dr. Strange is a darker and somewhat more studied hero. Perhaps because at times, the style is reminiscent of Christian Bale’s portrayal in “Batman Begins”. Cumberbatch is more in league with this version than the other Marvel-ians, as the character travels to the Far East to study the mystical teachings of the Ancient One, played by Tilda Swinton.
Cumberbatch is excellent in the part, with humor that is much more subtle and in keeping with his Sherlock persona. The script manages to keep the action sequences intact, providing an enjoyably escapist adventure throughout the length of the film. A stand-alone story is preferable, as this is, to one where you must be in the loop regarding all the lore of the universe of heroes now populating the culture. The tone and range of this movie set it apart as a worthy entry in the annals of the comic genre film fare.

Capsule Review: Inferno

tom-hanks-inferno

The film comes across as fair to middlin’ entertainment. The plot was convoluted-some elements didn’t make sense or tie together well-which proves that the over-used device in storylines of “nothing is as it seems” can grow old.

But the scenery and cinematography was beautiful. If this was “The Big Sleep” with Bogart you wouldn’t necessarily care about the loose ends that don’t add up or all the plot elements that don’t make sense. But if the film isn’t that good, and few are as good as Bogie’s films, then you may begin to wonder what the point of the exercise was.

In this case, you do wonder. What’s the point of this? It could be a film that, if not for Tom Hanks or Ron Howard, would be sent straight to video or perhaps wouldn’t have been green-lit. Because but for some of the lovelier screen elements, this film may be deemed entirely forgettable.

The same story device of having to figure out a mystery using the superior knowledge of the lead character, Robert Langdon/Tom Hanks in Dan Brown’s Universe within the literati world can only take you through the first act. By the end of the film, it’s clear that this story line is one that has gone out with the last decade. It’s almost too strained a notion when this film finally winds down.

I would recount the plot if I thought that it mattered to anyone, but I repeat-what’s the point? This one is much better to see on the small screen, as you can probably skip the unnecessary plot points-which count for about half of the movie.

 

 

6 Degrees: Notes from the Global Village

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The Fall season is a wonderful time of the year for movie buffs. Fall brings some of the best films of the year out just in time to become eligible for the never-ending Awards Season! Hollywood has had another split year, where the blockbuster summer films have produced several hits but nothing to really be excited about in terms of innovative art or injection of excitement into the existing Cinematic Universe.

Here are some of the notes collected from 6 Degrees-some from articles and long reads in August, and some from my own demented mind…
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*Ridiculous & Overly complex plots-in blockbusters…the trend? Here’s a quote from a long-winded complaint in an article bemoaning the overly complex plots in recent super-hero movies:
Labyrinthine machinations to desperately weave in character motivation, geography and the practical aspects of getting from one scene to another
Apparently, it has come to someone’s attention that Hollywood has a problem with story “density”. Is that what they call crappy movies now? For action-packed super-hero stories that contain “teasers” and origin stories, there’s only so much information the audience needs.

Older audiences all know who Superman and Batman are. We’ve read comic books from the fifties through the eighties. And now, thanks to the wonderful newly coined phrase, “The Cinematic Universe”, which is perhaps a euphemism for the billions of dollars that Hollywood envisions when imagining the mileage they can squeeze out of an entire cast of super-heroes, each with his own movie debut and story of origin, we are all treated to some of the worst aspects of the comic book genre, including clumsy plot points weaving through the endless reems of origin stories and desperate attempts to inject original thought into the storyline along with character motivation.

Although I have not been a huge fan of the comic-book genre, I do see the impact that the stories have on a younger generation of fans. And not to be close-minded about this, I’ve conceded that even Shakespeare used a lot of re-hashed plots, and was able to influence generations with his unmatched ability as a wordsmith and his sheer genius as a playwright.

Perhaps there will come a time where some innovative director will take one of these origin stories and craft the equivalent of a Shakespearean play out of the original material. So far, there has been no evidence this has occurred.

Tootsie

**Actors have spoken: A list of their favorite films includes all the usual suspects (not that particular film though!). But a surprising Number One appears: Tootsie!

The list of films that actors chose is not that surprising. And it’s not a far cry from most of the movie-going publics list of great movies. Boogie Nights, The Red Shoes, and A Woman under the Influence are definitely films that actors might choose over any other group.

But the rest of the films seem to be pretty much in line with standard movie “Best of” lists. Tootsie as the favorite film is a surprise. It’s a great comedy, with a superb supporting cast and many memorable lines. Director Sydney Pollack is wonderful in a small part as Hoffman’s agent. Jessica Lange won the Best Supporting Actress Oscar for her role. And Bill Murray was memorable as the befuddled room-mate of Dustin Hoffman’s Dorothy character, and had some of the best “zingers” in the film.

But Dustin Hoffman’s energetic portrayal of an actor who is desperate for a part to the point of risking everything, and laying it all on the line, is more of a statement about the actor’s existential state of being than any real film portrayal. That compels me to the conclusion that the actor’s perpetual state of angst is portrayed to the point that most fellow thespians that saw this film must have simply been saying “Yes!” through the entire film.

*Actors compilation of Greatest Movies includes:

*Taxi Driver
*The Red Shoes
*Boogie Nights
*Annie Hall
*Godfather Part II
&To Kill a Mock
*Cinema Paradiso
*A Woman under the influence
*The Godfather
*# 1 is Tootsie

RIcki and teh flash

**Strong women & Fem Flicks: Women are speaking out more and more concerning the inequality they see in Hollywood and throughout the film industry. Stars such as Meryl Streep, Sandra Bullock, Salma Hayek, Natalie Portman, Emma Thompson & Emma Watson have all spoken out against the glaring inequalities for women in the film industry. The Death of the Bond Girl is another subject for feminists everywhere to cheer about.
It seems that the highest-paid actress in Hollywood (Jennifer Lawrence) is paid significantly less than the highest paid male star (Robert Downey Jr.) Granted, we’re talking about millions of dollars, but the principle is universal. Women are still paid less than men for doing the same job!

*Another list has popped up. Now that we are in the middle of the second decade of the 21st Century, the need to list all the categories and best of films is overwhelming for critics and news organizations. Here’s one that compiled all the best action films. Although this list is edited to include only the top six, two of these are from the year 2000-15 years ago-and one is a recent addition-Mad Max.

Mad Max Fury Road

**The List of 21st Century Best-Action films-includes:

*John Wick-2014
*Bourne Ultimatum
*Casino Royale-2006
*Gladiator-2000
*Crouching Tiger Hidden Dragon =2000
*Mad Max: Fury Road-2015
There were more films listed, but none that deserved the accolade of Best-Action film!

Frank Sinatra

**Frank Sinatra on Film: In this celebration year of Sinatra’s 100th birthday, a list emerges of some of his best work on film. The famous crooner starred in hits like From Here to Eternity, On the Town, Guys and Dolls, The Manchurian Candidate, Pal Joey and High Society. He started making films in 1943 with Higher and Higher and ended in 1984 with Cannonball Run II.

**Dustin Hoffman is the latest to take aim and criticize the film industry. He said in an interview recently that TV is the best it’s ever been, and movies are the worst they’ve ever been.

**Upcoming: The Heart of the Sea from Ron Howard, Bridge of Spies with Tom Hanks, and Legend with Tom Hardy are all coming this fall. Robert Redford and Nick Nolte are teaming up in a comedy, A Walk in the Woods that may actually be as funny as the previews.

Star wars logo

**Another list emerged recently. These are some of the best movies aboutSpace”. This list included some of my favorites, and of course, it’s edited to include Honorable Mentions but not the ”Don’t bother to Mentions”!

I would simply add that the list lost a lot of credibility when it included The Day the Earth Stood Still and Blade Runner in Honorable Mentions…And if 2001: A Space Odyssey is not included, there’s nothing more to add.

**The Best of “Space” films include:

 Star Wars-1977

Capricorn One-1977

Close Encounters-1977

Apollo 13-1995

Interstellar-2014

Moon-2009

The Right Stuff-1983

Gravity-2013

Contact-1997

Armaggedon-1998

Honorable Mentions were: Solaris-Planet of the Apes; Wall-E; Blade Runner!; The Day the Earth Stood Still; War of the Worlds; Buck Rogers in the 25th Century; Flight of the Navigator and E.T

*There seems to be an upcoming debate between the two rival comic universes, DC vs Marvel. With the idea that some of the superheroes are going to be expanding again to include even more tales of origin. As was pointed out recently, “Superhero tales are about extraordinary super beings bashing each other with ridiculous powers. Origin stories are about ordinary people suffering some sort of transformative trauma” With the underlying meaning being that one set of stories is exciting and adventurous, and the other has the potential to be deadly dull.
**Outliers:

Bill Murray Ghostbusters

Bill Murray does have an announced cameo in the new Ghostbusters film. If the film has any notion to receive its due in the Cinematic Pantheon, Murray must appear as a Ghostbuster.

*Influence of Star Wars on Film…There’s an article from 6 Degrees Flipboard recently that seemed interesting enough, regarding the influence of Star Wars on film. Naturally, I was interested, as I devoted a good portion of my book, 6 Degrees of Film, to the theory that Star Wars has shaped our culture and definitely our films for the past quarter of a century and more.

Specifically, George Lucas and his company, ILM-Industrial Light & Magic, have transformed the nature of cinema with the emphasis on special effects and CGI-Computer Graphic Imaging. The assertion was made that there would have been no Blade Runner without Star Wars. I’m not sure that is so, because Ridley Scott directed Blade Runner and made some innovative and creative decisions that were not connected with ILM.

*Christopher Guest will premiere his next mockumentary on Netflix-furthering Spielberg’s assertion that more and more original and creative projects will flow through Cable Networks rather than the big screen.

• The company that made Masterminds, the new Zach Galifianakis/Kristen Wiig comedy, is bankrupt and can’t afford to market the movie. Relativity Media filed Chapter 11 bankruptcy, which puts the October release on hold and the movie in limbo. Too bad because it looked funny, with lots of former SNL players on board for the comedy.

Oscar Selfie pix

*The Director of Crash recently admitted it shouldn’t have won Best Picture! I wanted  Munich or Capote to win that year, so this wasn’t shocking news. Almost every year, I root for a film to win Best Picture that eventually loses. And for that matter, it shows in the long run with so many forgettable films earning the nod. In the past 10 years, there have been few memorable winners for the Best Picture Oscar.

The under 30 Hollywood Set: The list of actors and actresses who are “up and comers” include these A-Listers in the 30 and under crowd: Margot Robbie, Cara Delevingne; Michael B Jordan, J Lawrence, Daniel Radcliffe, Emma Stone, Zoe Kravitz, Nicholas Hault, Dakota Johnson, Miles Teller, Eliz Olsen, Alicia Vikander, Liam Hemsworth, and Elle Fanning.

**The Reviews are in:

*Fantastic Four bombs at the box office

*Monster Hunt was the biggest Chinese box-office film ever. And that is the largest market in the world now, so it’s definitely making some people in Hollywood sit up and take notice. The movie looks fairly simple, about a couple that “adopt” a small monster baby. It doesn’t sound like great news for those who root for more complex stories and adult plots.

The Lion King

*The Animated movie pick of all time is…The Lion King.  The Best selling VHS of all time was The Lion King; the top selling DVD is Finding Nemo and now, the best selling Blu-Ray film is…Frozen.

****

What’s Coming Next:
*Scorsese is teaming with DiCaprio again for a movie about a serial killer from the best-selling book: “The Devil in the White City” by Erik Larson.

**Trailers: Some of the trailers for upcoming films that look promising include: Learning to Drive with Patricia Clarkson and Ben Kingsley; A Walk in the Woods with Robert Redford and Nick Nolte and Sicario with Benicio Del Toro.

Far from madding 2015

**On Demand:
Movies on demand now include Child 44-reviewed in 6 Degrees, The Age of Adaline, Ex Machina, and Far from the Madding Crowd-all recommended for viewing

Thoughts on Superman: The Myth

I remember seeing Superman on the big screen for the first time. It was kind of exciting to be able to watch a comic book character come alive. And there was an element of shock and awe that the “big league film producers” decided to take the kids world of comic books seriously…seriously enough to produce a major feature film that starred Christopher Reeve and Marlon Brando, no less!
That was 1978. Now we live in the Golden Age of Comic Book Films and the screen is awash with these characters.
We have explored the dark side of Batman at length with “The Dark Knight”. And the world was astounded when “The Avengers” became the  third Highest Grossing Film of all time, surpassing Titanic and Avatar. Comic book characters proved they are here to stay. And now we have another Superman.
Superman is, from what I remember way back when we read the characters only in comic books, a character that lent itself to creating multiple universes.

1.There was a small bottle he kept in his Fortress of Solitude that contained an entire city from his home planet of Krypton. The people were all futuristic marvels. I believe his uncle may have even lived in the jar-Kandor was the name of the mythical city. So there were opportunities to create storylines just from that one idea-the city in the jar!
2. Of course, there was a Super Girl and a Super Dog eventually created in the course of the series. These also created multiple storylines.
3. In later years, they tweaked his ties to planet Earth by using sensational titles like, “Superman Gets Married!; Superman has a Baby! Or Superman Dies!” All of these plot twists came and went as we traversed the perils of Superman within the pages of the comics.
4. The Fortress of Solitude: What a wonderful name! This was the place Superman went to “get away from it all”. It was somewhere in the frozen tundra of the North, the Arctic would be a likely guess…. where only he could survive. He would go there to think and to meditate, I suppose, as the name implies.
5. There was one comic-book episode that always stood out in my mind. Scientists invented a ray gun that would make violent criminals into infants, and they would be raised again to fit into society and conform. This was a comforting thought that showed us even as kids there was at least one creative way to magically solve many of the problems in our society.
Unfortunately, the ray gun doesn’t exist and Superman is not real. So we are faced with the problem of re-creating the fictional Superman character to accommodate each passing generation with higher technological advances and fewer glimpses of the simpler time from whence he came into existence on Earth.

And now, we are learning to live with a new paradigm. The fast-paced modern world wants to see Comic Book Storyboards come alive every few years. So it comes to pass that the younger audience, not familiar with the world of comic books, sees this superhero with fresh eyes. And, of course, the movies make a lot of money for Hollywood. Therefore, we are going to see more of Superman and less of George Bernard Shaw’s “Man and Superman”. That is a fact.