2015 – Six Degrees of Film

6 Degrees: Notes from the Global Village

Friday Five: Notes from the Global Village: Recommended at the movies this week are:

*Star Wars
*Spotlight
*The Big Short
*Trumbo
*45 Years

Star Wars is here! Star Wars:The Force Awakens has landed to mostly positive reviews and mass media in hyper-drive with the onslaught of the movie campaign. The best place to see reviews for Star Wars: The Force Awakens is in the 6 Degrees online magazine. Read the reviews from:

• Ebert.com
• Film comment.com
• Time Magazine
• The LA Times
• Associated Press (Pop culture appeal of Star Wars)

*Fem Flicks: 2015 was a good year for Strong Women’s film roles. Mad Max: Fury Road and Suffragette were both excellent fem flicks for women of all ages to find strong role models. See link: “Is Hollywood finally a woman’s world too?- LA Times

**
Coming Soon: Here are some of the most anticipated films coming soon:

Batman v Superman-with Ben Affleck
The Hateful Eight-Tarantino’s Latest
The Revenant-Oscar buzz for DiCaprio
Ghostbusters all female cast Remake
Misconduct– starring Anthony Hopkins & Al Pacino

*The American Film Institute names top 10 movies for 2015:

The Big Short
Bridge of Spies
Carol
Inside Out
Mad Max: Fury Road
The Martian
Room
Spotlight
Star Wars: The Force Awakens
Straight Outta Compton

The National Film Registry has also come out with their picks for films to be preserved and entered into the registry. Here’s a partial list of films selected for the registry this year :

*Being There (1979)

• A Fool There was (1915)
• Ghostbusters (1984)
• Hail the Conquering Hero (1944)
• Humoresque (1920)
• Imitation of Life (1959)
• John Henry and the Inky-Poo (1946)
• LA Confidential (1997)
• The Mark of Zorro (1920)
• The Old Mill (1937)
• Our Daily Bread (1934)
• Seconds (1966)
• The Shawshank Redemption (1994)
• Sink or Swim (1990)
• The Story of Menstruation (1946)
• Top Gun (1986)
• Winchester ’73 (1950)

Box Office Winners: Star Wars has big numbers, but the # 1 highest grossing film is… Gone with the Wind released in 1939. The other movies on the list are:

The original Star Wars-1977
The Sound of Music-1965
E.T.: The Extra-Terrestrial-1982
Titanic-1997
The Ten Commandments– 1956
Jaws– 1975
Doctor Zhivago- 1965
The Exorcist-1973
Snow White and the Seven Dwarfs-1937

*They’re back! Not only Awards season but “Best of” lists for 2015. If you missed these films at the movies, and would like to rent or stream a good film, here are those films found on most critics and audiences top 10 lists. They include Ex Machina, The Assassin, 45 Years, Clouds of Sils Maria, I’ll See You in My Dreams, Creed, Son of Saul, Carol, Mad Max: Fury Road, The Martian, Sicario, & Brooklyn.

The idea of awards season and best of lists always tends to be suspect. Some years are better than others. The last two summers have seen long, dry spells where hardly any decent films were released. The best films seem to cluster in releases around the end of the year for some reason!

This year there were a few notable exceptions. The Martian and Bridge of Spies, Ex Machina and Mad Max: Fury Road all came out long before the mad holiday rush. It seems that almost all the oxygen has been sucked out of the room for film and film criticism with the anticipated release of Star Wars. (The Donald Trump of films!)

It’s a relief to have it out at last, so we can move on to more important things like…the top 10 lists and the Awards Season that extends for months on end. Then again, maybe Star Wars fever is not such a bad thing after all! See you at the movies-ML

6 Degrees: Friday Five: Recommended

Star Wars media blitz is in full throttle. For those who are not with the Force, there’s always Holiday classics. For Turner Classic Movies, the small screen Holiday Films recommended are Meet Me in St Louis and the Shop around the Corner. The main reason is that these are two films that haven’t been so over-hyped or shown to the point of overkill, and they still seem fresh to the uninitiated. These films both have holiday themes, and one of Judy Garland’s biggest hits, “Have Yourself a Merry Little Christmas” is from “Meet me in St. Louis.”

One complaint I continue to cite for movie releases is that the best films are again, all released within a two week period at the end of the year. There was a dry spell for movie-goers that seemed to last months this year, and then the movies all drop at the same time. Go figure. The best headlines are those that are amazed when box office attendance has dropped. For some strange reason, people really like to go see good movies. In fact, they prefer the good ones to the really crappy ones!

This month, watch for a slew of Frank Sinatra films and recordings, as the Mass Marketing Village celebrates Sinatra’s 100th birthday this December. Some of his best films are being shown on Turner Classic, including From Here to Eternity and Never So Few, which features a young Steve McQueen.

Some of Maureen O’Hara’s greatest films are also being featured on TCM; The Quiet Man with John Wayne and Miracle on 34th Street with Natalie Wood. She was also a stand-out in the original “Parent Trap” with Hayley Mills.

Here’s the short list of recommended films. See you at the movies

Spotlight: Best reviews for this film about the Boston Globe’s reporting that broke the story of ongoing abuse of children by Catholic Priests.

Spectre: A note-worthy addition to the Bond series; with Daniel Craig returning as James Bond.

The Peanuts Movie: Although not laden with as much humor for adults, this is a good one for the kids.

Bridge of Spies: Spielberg and Hanks team up, although Mark Rylance steals the show!

The Martian: A fictional account with realistic overtones in the what-if scenario of an astronaut stranded on Mars.

6 Degrees: Holiday Films Recommended

As our local art house, Tampa Theatre, is gearing up for the Holidays by showing the original 1947 “Miracle on 34th Street”, we’ve decided to begin with this one too. It’s a great film to kick off the holidays as the action unfolds at the start of the annual Macy’s Day Thanksgiving Parade in New York City.

Things to know about “Miracle on 34th Street”

*Cary Grant turned the part down. Perhaps with his innate sense of comedy and marketing of his own character, he knew that the strongest leads in this film weren’t for the males!

*Natalie Wood debuts with one of the best performances by a child in film for that era or any other era to date. Her young and slightly cynical persona as Susie, the young level-headed and sensible little girl who dreams of living in a real house someday, is the glue that makes the film work. Had the part gone to a sickly sweet child without any patina of sophistication or age beyond her years, then the film would have made no sense. The point was to create a strong motivation for Kris (Edmund Gwenn) to convert the non-believers.

*It’s still the Best of the Series-no remake has come close to the original 1947 film.

*Fem Flicks: It’s one of the earliest films that portrays a working, divorced mother even with a semblance of realism. Maureen O’Hara does a brilliant job with this part.

*Santa on Film: Edmund Gwenn gives a pivotal performance as the Macy’s Santa on trial

• Fred Mertz Foreshadowed: The small role for William Frawley was also pivotal. His cynical and worldly views underscore the Capra-esque overtones seen in the courtroom scenes.

*Capitalism is featured front and center in the plot. But the real heart of the story is the human elements of faith and forgiveness that bind the main characters together. The weakest link is the male lead given to John Payne. Although Payne does quite a good job in the role, his part is not the essential one for the success of the story.

Miracle on 34th Street is definitely recommended viewing for all who have not seen the original. The black and white film needs no colorized version to give it life. To kick off the Holiday Season, it should be the first on everyone’s list.

As mentioned above, Tampa Theatre is showing Miracle on 34th Street this week. They are going to show other films in their Holiday Film Series, including It’s a Wonderful Life from 1946, Holiday Inn from 1942, White Christmas 1954, and Home Alone from 1990.

The List of Holiday films featured in 6 Degrees is essentially an American Christmas Story. Americans seem to embody all of the elements that comprise the best and the worst parts of the Christmas season.

The 6 Degrees List varies slightly from the Tampa Theatre list. I would definitely recommend seeing White Christmas on the big screen. It was a VistaVision Creation of the fifties, and the colors and the pageantry are all part of the lost era which was the Golden Age of Hollywood.

But instead of showing Holiday Inn, 6 Degrees includes for week 3, A Christmas Story. It’s a nostalgic look at a bygone era. The saga of Ralphie and his quest to own a Red Ryder Rifle at Christmas still rings true for many of us.

For week 4, Christmas Vacation. It’s the modern day classic comedy that embodies so much of the silliness of a Saturday Night Live ensemble with the heartwarming feel of a true Hallmark Christmas classic. Chevy Chase is never better than in this role of Clark Griswold.

For Christmas, Eve some version of the Nutcracker is always worthwhile. My personal favorite is still the Baryshnikov version. And for Christmas day, the Dickens story of A Christmas Carol is still the best of stories to savor and to dissect. We are all Scrooge’s in some part, as we enter into the Christmas season. So it is fitting and appropriate to spend at least part of your Holiday with the Dickensian model of Ebenezer Scrooge. Scrooge is the perfect vessel to reflect and to identify with all of our inner ambivalence and anger over the commercially created Christmas season.

Happy Holidays to all our 6 Degrees Readers and we’ll see you @ the movies!

Notes from the Global Village: Friday Five: Top 5 Picks

Top 5 Picks on 6 Degrees of Film @ the Movies

1) Over ½ of Americans Now watch Netflix
2) Top 15 Christmas Films
3) Profile: Carey Mulligan
4) Interview: Niki Trumbo: Trumbo
5) Cate Blanchett: 5 best moments

Friday Five Recommended:

• The Martian
• Bridge of Spies
• Trumbo
• Spectre
• On Demand: Far from the Madding Crowd

Star Wars anticipation has reached critical mass as we see articles with names like: “What to watch after watching Star Wars” or “Before watching Star Wars, watch this!” and “What we learned from the Star Wars trailer.” We see the focus on the character of Kylo Ren, speculation as to the whereabouts of Luke Skywalker…tracking the advance ticket sales for Star Wars, plus the speculation of the Box Office totals for the new movie.

All these things are not unexpected, but still scream for the phrase to be added: “Really? What’s the big deal?” The film is so highly anticipated that one can only hope that it may live up to a fraction of the hopes and dreams that have been invested into this single film.

“Why I stopped Blogging about the Movies” was the title of a recent blog post by a critic at Film Waffle. It underscored the continuing problem with film blogs and blogging in general in that the sheer volume of material you find on the internet completely shrouds any content that might hint at a new or original thought or idea.

The trends of the moment propel the viewing public forward with the massive amounts of messaging we receive on a daily basis. All this mass media tends to drown out all original thought or any new way of looking at any particular subject, including film.

One way of combatting this ongoing dilemma is to take a step back and simply try to reframe the question. What if…instead of simply writing about and regurgitating the same old material, the 6 Degrees blog looked at Films and Movie Trends from a “Big Picture” perspective? And, what if we tried to present the information in a weekly format using links to the Flipboard online magazine, 6 Degrees of Film @ the Movies?

That is part of the solution we have come up with at 6 Degrees. The weekly link to the magazine will give you enough Film news to sink a battleship. We have taken the guesswork out of the equation. All the reader needs to do is to scroll through the best articles and film news on the internet as it is presented in one location.

Meanwhile, back at the blog, we will continue to analyze and try to make sense of the fast-paced and ever-changing world of film and film-makers. That is our pledge to you.

Happy Holidays and see you @ the movies!-ML Johnson

6 Degrees: Notes from the Global Village

Each week, we hope to bring you some of the highlights that are found in the online magazine 6 Degrees of Film at the Movies. There is no way that one film critic or even one film blog site can encompass the vast array of news found in the film and movie business in the 21st Century.
At 6 Degrees, we have decided the best way to connect our readers to the latest information is to feature the highlights found on a weekly basis in the weekly blog, along with some outstanding long reads and exceptional pieces to showcase. The world is changing and the business of film and the way we bring the news to you, the reader, is changing too. Here is the newly re-tooled. 6 Degrees of Film…

Notes from the Global Village:

We’re back with some takeaways for the month of November. First,

• TCM: This weekend, they are showing two of our all-time favorites here at 6 Degrees. One is The Big Country, with Gregory Peck, Jean Simmons, Burl Ives and Charlton Heston. The plot is standard boiler-plate fifties, where a tenderfoot ( Gregory Peck) goes West to romance his girl. When he arrives, he finds himself in the middle of a range war with simmering tensions and long-standing prejudice and rivalries that soon alienate him from his shallow fiancée. In the end, what wins the day over tough-guy posturing and violent confrontations is one man’s courage to stand alone for what is right in the face of blind prejudice. That is what makes the film great, plus stellar performances from Peck and Burl Ives.

• Bullitt: One of Steve McQueen’s best films. This is another film that stands the test of time. It was a landmark film in the sixties, with one of the first car chase sequences that started the trend that has never really ended. But it’s the stand-out performance of McQueen as a lone wolf cop who fights “the man” when dealing with a corrupt politician and even his own department to find the truth. His dogged determination and unflinching courage in the face of impending failure and censure makes this film a classic A must-see for all 6 Degrees fans who follow the James Dean Legacy in film.

• Friday Five: Recommended:

1. The Martian
2. Bridge of Spies
3.The Peanuts Movie
4. Spectre
5.On Demand: Far from the Madding Crowd

6 Degrees Fall Newsletter: Notes from the Global Village

Let’s start with The 400 Pound Gorilla:

Star Wars: The Force Awakens premieres December 18th. This one is sucking all the oxygen out of the room! I have to confess that I was never a Star Wars fanatic. I saw the original film when it came out in 1976 and wasn’t impressed. I thought that the sequel, The Empire Strikes Back was superior in every way, but I never became a true devotee of Star Wars.

Since I’ve written a book on film, it’s obvious that the cultural phenomenon and overwhelming impact that Star Wars has had on film-making in general, and also on our culture, is too great to be denied. In 6 Degrees of Film: The Future of Film in the Global Village, the book delves into the history of how George Lucas and his Industrial Light and Magic Company dominated the industry for years and put CGI-Computer Graphics Imaging, and special-effects in the forefront of the movie industry.

When Lucas sold his rights to Disney, many loyal fans were stunned and felt a sense of betrayal. But after reading some interviews Lucas gave, it really did make sense for him to move his ideas and creative themes to Disney. He said in an interview featured in 6 Degrees that “ …I’m not interested in virtual reality at its current level, because it’s just too crude. But if you can program virtual reality or simulator rides with biotech, you will have a very interesting non-world.”

After reading this, it makes sense that Lucas would sell his theme and his mythology to a group that specializes in transferring dreams to paper and making those dreams come true. That’s the Disney mantra and the new theme park being developed by Disney seems to be the natural extension of the Cinematic Universe Lucas created over a quarter of a century ago.

This Fall, Biopic’s abound: One recurring theme seen over and over are the number of films based on true stories. From Everest to The 33, from Black Mass to Bridge of Spies, it seems that the source material is telling us that truth is hopefully, much more interesting to audiences than fiction!

Fem Flicks– The Suffragette & The Hunger Games: Mockingjay-Part 2

The Hunger Games returns Jennifer Lawrence to her breakthrough role as Katniss Everdeen in this last installment. The Suffragette stars Carey Mulligan and one of the legends of the screen in a role of Emmaline Pankhurst, founder of the Women’s Movement in turn of the century England. The role seems tailor made for a strong female such as Meryl Streep.

Famous Directors: Oscar winners Ron Howard & Stephen Spielberg present their films, In the Heart of the Sea and Bridge of Spies, respectively.

Best Actors: DiCaprio & Tom Hardy, De Niro & Tom Hanks, some of Hollywood’s finest actors are starring in films this fall. De Niro and Tom Hanks are both featured in upcoming films, De Niro stars with Anne Hathaway in The Intern, and Hanks stars in Bridge of Spies. Michael Fassbender is taking on the role of Steve Jobs in a biopic. Bill Murray returns to Leading Man Status with Rock the Kasbah

And James Bond is back in a much-anticipated film Spectre with Daniel Craig returning to play the iconic role of Bond.

The Tarantino: Genre’s are turned on their heads with Quentin Tarantino at the helm. This much-anticipated Western, The Hateful Eight, stars Samuel L. Jackson and Kurt Russell.

The Holiday season will usher in some of the most-anticipated children’s movies of the year. The Peanuts Movie and The Good Dinosaur will arrive just in time for Christmas.

But of course, on Christmas Day, as keeping with tradition, some of the darkest plots are featured. The Revenant, with DiCaprio and Tom Hardy is the heartwarming story of a man attacked by a bear and left for dead by his friends in the middle of the wilderness. Tarantino’s The Hateful Eight promises to be just as warm and fuzzy, giving us a Western with lots of blood and gore and vengeance.

The Armchair Film Fest: For warm and fuzzy, two Holiday classics will be guaranteed. At some point, Capra’s It’s a Wonderful Life, one of the best films Capra and Jimmy Stewart made, and Christmas Vacation, which is definitely Chevy Chase’s best work, will be shown on television.

You may see A Christmas Story looped endlessly on cable networks, so it’s easy to just turn it on at any point to lighten the mood. Of course, Miracle on 34th Street with Maureen O’Hara and Natalie Wood is another standard that will lighten your spirits-if you are over the age of 40.

I find that Milennials and Gen X’ers don’t bother to watch too many films that were made in black and white. Too bad, as they are missing out on some of the greatest films ever made.

Here’s the Fall Movie List starting in September with:

September

9/18
Sicario: A female FBI agent (Emily Blunt) delves into a shady drug-cartel task force run by agents from both U.S. and Mexico.

Black Mass– The buzz for this biopic is around Johnny Depp’s much anticipated portrayal of the infamous Boston Gangster Whitey Bulger.

Everest: This Bio Pic is based on the real-life 1996 tragedy that took the lives of eight climbers on Mt. Everest.

October

10/2

Legend: Tom Hardy plays a dual-role of the Kray Brothers, real-life British gangsters of the 1960’s. Hardy plays both Ronald & Reginald Kray.

The Martian: This Sci-Fi Adventure tale stars Matt Damon as an astronaut left for dead by his fellow crew members and forced to survive alone on Mars.

10/9:

Steve Jobs: Michael Fassbender plays Jobs in this bio-pic which has already garnered Oscar buzz for his portrayal.

Pan: Hugh Jackman stars in this new take explaining the origins of the famed Leader of the Lost Boys, Peter Pan.

10/16

Bridge of Spies: Speilberg & Hanks collaborated on this bio-pic based on the real-life Cold War exchange of a Russian spy for an American U-2 Pilot.

Truth: Robert Redford plays Dan Rather and Cate Blanchett is producer Mary Mapes in this film based on a true story. The story that ruined Dan Rather’s career is based on the real-life controversial news story involving George W. Bush and his Texas National Guard records.

10/23

Suffragette: The film depicts the suffragette’s fight for women’s rights in England. Meryl Streep stars in the film for only four minutes, but her role as a pivotal women’s rights leader Emmeline Pankhurst is a vital one.

Rock the Kasbah: Bill Murray stars as a burned-out agent stuck in Kabul, Afghanistan who discovers a young talented girl and decides to promote her.

November

11/6

Spectre: James Bond returns to the screen with Daniel Craig back as Bond.

Trumbo: Bio-pic of acclaimed writer Dalton Trumbo, who was blacklisted by Hollywood in the 1950’s after the McCarthy hearings.

11/13

The 33: Antonio Banderas stars in this bio-pic based on the 2010 true story about 33 Chilean miners trapped underground for 69 days after an explosion.

11/20

Hunger Games: Mockinjay: Final Installment: The much anticipated final installment of Katniss Everdeen’s (Jennifer Lawrence) fight against the ruling Panem government.

Children’s Animated Films

The Good Dinosaur: From Pixar, the film imagines a world where the dinosaurs didn’t become extinct, and the plot is a unique twist on boy-meets-dog tales; a friendship arises between the dinosaur boy and his pet -a feral human child.

The Peanuts Movie: The film touts the fact they used many of Charles Schulz’s original drawings, such as digital versions of Shulz’s depictions of rain and even Pigpen’s cloud of dirt!

11/25

Victor Frankenstein: James McaVoy and Daniel Radcliffe star in this unusual twist to the famous story as the film switches the focus to Igor, Frankenstein’s servant.

11/27

I Saw the Light: Yet another bio-pic tells the Hank Williams story featuring his rise to fame, his volatile relationships, his addictions and his spiral downward before his death at age 29.

December

12/11

In the Heart of the Sea: Ron Howard directs this film based on the true story that inspired Melville to write Moby Dick. It centers around the 19th century crew of the whaling ship, the Essex, which battles the elements after a whale destroys their boat in the treacherous deep waters of the Pacific Ocean.

12/18

Star Wars: The Force Awakens: The Big Kahuna finally arrives after fanfare including detailed coverage of the Milennium Falcon and even the movie trailer. Star Wars returns to the big screen just in time for Christmas. Buy your tickets early.

12/25: Tarantino’s The Hateful Eight: A Western in the Tarantino Genre with Samuel L Jackson and Kurt Russell.

12/25: The Revenant: DiCaprio and Tom Hardy, who are perhaps two of the greatest actors working in films today, star in this movie, also based on a true story, of 19th Century trapper Hugh Glass (DiCaprio). The plot revolves around Glass seeking revenge after being attacked by a bear and left for dead by his companions.

6 Degrees: Notes from the Global Village

The Fall season is a wonderful time of the year for movie buffs. Fall brings some of the best films of the year out just in time to become eligible for the never-ending Awards Season! Hollywood has had another split year, where the blockbuster summer films have produced several hits but nothing to really be excited about in terms of innovative art or injection of excitement into the existing Cinematic Universe.

Here are some of the notes collected from 6 Degrees-some from articles and long reads in August, and some from my own demented mind…
**
*Ridiculous & Overly complex plots-in blockbusters…the trend? Here’s a quote from a long-winded complaint in an article bemoaning the overly complex plots in recent super-hero movies:
“Labyrinthine machinations to desperately weave in character motivation, geography and the practical aspects of getting from one scene to another”
Apparently, it has come to someone’s attention that Hollywood has a problem with story “density”. Is that what they call crappy movies now? For action-packed super-hero stories that contain “teasers” and origin stories, there’s only so much information the audience needs.

Older audiences all know who Superman and Batman are. We’ve read comic books from the fifties through the eighties. And now, thanks to the wonderful newly coined phrase, “The Cinematic Universe”, which is perhaps a euphemism for the billions of dollars that Hollywood envisions when imagining the mileage they can squeeze out of an entire cast of super-heroes, each with his own movie debut and story of origin, we are all treated to some of the worst aspects of the comic book genre, including clumsy plot points weaving through the endless reems of origin stories and desperate attempts to inject original thought into the storyline along with character motivation.

Although I have not been a huge fan of the comic-book genre, I do see the impact that the stories have on a younger generation of fans. And not to be close-minded about this, I’ve conceded that even Shakespeare used a lot of re-hashed plots, and was able to influence generations with his unmatched ability as a wordsmith and his sheer genius as a playwright.

Perhaps there will come a time where some innovative director will take one of these origin stories and craft the equivalent of a Shakespearean play out of the original material. So far, there has been no evidence this has occurred.

**Actors have spoken: A list of their favorite films includes all the usual suspects (not that particular film though!). But a surprising Number One appears: Tootsie!

The list of films that actors chose is not that surprising. And it’s not a far cry from most of the movie-going publics list of great movies. Boogie Nights, The Red Shoes, and A Woman under the Influence are definitely films that actors might choose over any other group.

But the rest of the films seem to be pretty much in line with standard movie “Best of” lists. Tootsie as the favorite film is a surprise. It’s a great comedy, with a superb supporting cast and many memorable lines. Director Sydney Pollack is wonderful in a small part as Hoffman’s agent. Jessica Lange won the Best Supporting Actress Oscar for her role. And Bill Murray was memorable as the befuddled room-mate of Dustin Hoffman’s Dorothy character, and had some of the best “zingers” in the film.

But Dustin Hoffman’s energetic portrayal of an actor who is desperate for a part to the point of risking everything, and laying it all on the line, is more of a statement about the actor’s existential state of being than any real film portrayal. That compels me to the conclusion that the actor’s perpetual state of angst is portrayed to the point that most fellow thespians that saw this film must have simply been saying “Yes!” through the entire film.

*Actors compilation of Greatest Movies includes:

*Taxi Driver
*The Red Shoes
*Boogie Nights
*Annie Hall
*Godfather Part II
&To Kill a Mock
*Cinema Paradiso
*A Woman under the influence
*The Godfather
*# 1 is Tootsie

**Strong women & Fem Flicks: Women are speaking out more and more concerning the inequality they see in Hollywood and throughout the film industry. Stars such as Meryl Streep, Sandra Bullock, Salma Hayek, Natalie Portman, Emma Thompson & Emma Watson have all spoken out against the glaring inequalities for women in the film industry. The Death of the Bond Girl is another subject for feminists everywhere to cheer about.
It seems that the highest-paid actress in Hollywood (Jennifer Lawrence) is paid significantly less than the highest paid male star (Robert Downey Jr.) Granted, we’re talking about millions of dollars, but the principle is universal. Women are still paid less than men for doing the same job!

*Another list has popped up. Now that we are in the middle of the second decade of the 21st Century, the need to list all the categories and best of films is overwhelming for critics and news organizations. Here’s one that compiled all the best action films. Although this list is edited to include only the top six, two of these are from the year 2000-15 years ago-and one is a recent addition-Mad Max.

**The List of 21st Century Best-Action films-includes:

*John Wick-2014
*Bourne Ultimatum
*Casino Royale-2006
*Gladiator-2000
*Crouching Tiger Hidden Dragon =2000
*Mad Max: Fury Road-2015
There were more films listed, but none that deserved the accolade of Best-Action film!

**Frank Sinatra on Film: In this celebration year of Sinatra’s 100th birthday, a list emerges of some of his best work on film. The famous crooner starred in hits like From Here to Eternity, On the Town, Guys and Dolls, The Manchurian Candidate, Pal Joey and High Society. He started making films in 1943 with Higher and Higher and ended in 1984 with Cannonball Run II.

**Dustin Hoffman is the latest to take aim and criticize the film industry. He said in an interview recently that TV is the best it’s ever been, and movies are the worst they’ve ever been.

**Upcoming: The Heart of the Sea from Ron Howard, Bridge of Spies with Tom Hanks, and Legend with Tom Hardy are all coming this fall. Robert Redford and Nick Nolte are teaming up in a comedy, A Walk in the Woods that may actually be as funny as the previews.

**Another list emerged recently. These are some of the best movies about “Space”. This list included some of my favorites, and of course, it’s edited to include Honorable Mentions but not the ”Don’t bother to Mentions”!

I would simply add that the list lost a lot of credibility when it included The Day the Earth Stood Still and Blade Runner in Honorable Mentions…And if 2001: A Space Odyssey is not included, there’s nothing more to add.

**The Best of “Space” films include:

Star Wars-1977

Capricorn One-1977

Close Encounters-1977

Apollo 13-1995

Interstellar-2014

Moon-2009

The Right Stuff-1983

Gravity-2013

Contact-1997

Armaggedon-1998

• Honorable Mentions were: Solaris-Planet of the Apes; Wall-E; Blade Runner!; The Day the Earth Stood Still; War of the Worlds; Buck Rogers in the 25th Century; Flight of the Navigator and E.T

*There seems to be an upcoming debate between the two rival comic universes, DC vs Marvel. With the idea that some of the superheroes are going to be expanding again to include even more tales of origin. As was pointed out recently, “Superhero tales are about extraordinary super beings bashing each other with ridiculous powers. Origin stories are about ordinary people suffering some sort of transformative trauma” With the underlying meaning being that one set of stories is exciting and adventurous, and the other has the potential to be deadly dull.
**Outliers:

Bill Murray does have an announced cameo in the new Ghostbusters film. If the film has any notion to receive its due in the Cinematic Pantheon, Murray must appear as a Ghostbuster.

*Influence of Star Wars on Film…There’s an article from 6 Degrees Flipboard recently that seemed interesting enough, regarding the influence of Star Wars on film. Naturally, I was interested, as I devoted a good portion of my book, 6 Degrees of Film, to the theory that Star Wars has shaped our culture and definitely our films for the past quarter of a century and more.

Specifically, George Lucas and his company, ILM-Industrial Light & Magic, have transformed the nature of cinema with the emphasis on special effects and CGI-Computer Graphic Imaging. The assertion was made that there would have been no Blade Runner without Star Wars. I’m not sure that is so, because Ridley Scott directed Blade Runner and made some innovative and creative decisions that were not connected with ILM.

*Christopher Guest will premiere his next mockumentary on Netflix-furthering Spielberg’s assertion that more and more original and creative projects will flow through Cable Networks rather than the big screen.

• The company that made Masterminds, the new Zach Galifianakis/Kristen Wiig comedy, is bankrupt and can’t afford to market the movie. Relativity Media filed Chapter 11 bankruptcy, which puts the October release on hold and the movie in limbo. Too bad because it looked funny, with lots of former SNL players on board for the comedy.

*The Director of Crash recently admitted it shouldn’t have won Best Picture! I wanted Munich or Capote to win that year, so this wasn’t shocking news. Almost every year, I root for a film to win Best Picture that eventually loses. And for that matter, it shows in the long run with so many forgettable films earning the nod. In the past 10 years, there have been few memorable winners for the Best Picture Oscar.

The under 30 Hollywood Set: The list of actors and actresses who are “up and comers” include these A-Listers in the 30 and under crowd: Margot Robbie, Cara Delevingne; Michael B Jordan, J Lawrence, Daniel Radcliffe, Emma Stone, Zoe Kravitz, Nicholas Hault, Dakota Johnson, Miles Teller, Eliz Olsen, Alicia Vikander, Liam Hemsworth, and Elle Fanning.

**The Reviews are in:

*Fantastic Four bombs at the box office

*Monster Hunt was the biggest Chinese box-office film ever. And that is the largest market in the world now, so it’s definitely making some people in Hollywood sit up and take notice. The movie looks fairly simple, about a couple that “adopt” a small monster baby. It doesn’t sound like great news for those who root for more complex stories and adult plots.

*The Animated movie pick of all time is…The Lion King. The Best selling VHS of all time was The Lion King; the top selling DVD is Finding Nemo and now, the best selling Blu-Ray film is…Frozen.

****

What’s Coming Next:
*Scorsese is teaming with DiCaprio again for a movie about a serial killer from the best-selling book: “The Devil in the White City” by Erik Larson.

**Trailers: Some of the trailers for upcoming films that look promising include: Learning to Drive with Patricia Clarkson and Ben Kingsley; A Walk in the Woods with Robert Redford and Nick Nolte and Sicario with Benicio Del Toro.

**On Demand:
Movies on demand now include Child 44-reviewed in 6 Degrees, The Age of Adaline, Ex Machina, and Far from the Madding Crowd-all recommended for viewing

On the subject of Casablanca

Editor’s Note: Casablanca is playing this Sunday, September 18th at Tampa Theatre as part of the Summer Film Series. The film begins at 3:00 pm.

Casablanca is one of the best B movies ever made. The local paper here in Tampa had a dispute over whether it should be designated as a “Chick Flick” or simply a classic film. In my role as a film critic, I’m moving away from the term “Chick Flick” in describing movies. There are Fem flicks-defined as films for women, by women and about women…I would not put Casablanca in this genre.

Casablanca is much more than just a chick flick. It was a film written with quite a convoluted history of authorship, as you can tell in the following excerpt. No one really knew how it was going to turn out even when they were shooting it!

The following is an excerpt from “6 Degrees of Film: The future of film in the Global Village” by Mary L Johnson. The book is available on Amazon at http://www.amazon.com/Degrees-Film-Future-Global-Village/

Casablanca
Script authorship of Casablanca also was disputed, only this time it was writer versus writer who vied for the lone credits. Someone said about this B movie classic, “One of the charms of Casablanca lies in its awkwardness. Not only do the politics and romance sit side by side, but that there are two or three contrasting manners of style. There’s the comic-cynical, the soppy-elegiac, and the solemn-propagandist … [It’s] not so much a story as a stringing together of great moments to remember. How, and in what order we remember them is left to us, and this is part of why we like the film so much.”
Four authors claim to be the true author of Casablanca. There is Howard Koch, who claimed he was brought in “to shape the film’s politics”; the brothers Julius and Philip Epstein, who wrote as a team; and Casey Robinson. Robinson said that he had the idea for a film “out of a ‘lousy play’ called Everybody Comes to Rick’s.”
According to Koch, the story was, “So they start shooting and Hal comes to me and says, ‘We need some help. There’s a little trouble.’ Bogart had said, ‘I won’t shoot this __________’; and he had used a very nasty word and gone home.”
Ingrid Bergman on the Casablanca shoot said this: “Every day, we were shooting off the cuff; every day they were handing out dialogue, and we were trying to make sense of it. No one knew where the picture was going, and no one knew how it was going to end … We said, “Well, who are we?” … and Curtiz would say, “We’re not quite sure … It was ridiculous. Just awful … Bogart didn’t know what was going on, so he retired to his trailer … I wanted to know who I was supposed to be in love with, Paul Henreid or Humphrey Bogart?”
The Epstein brothers had gone on to another project for Frank Capra and were not available, so they sent the script in from Washington page by page. Two scripts were floating around, one from the Epsteins and one from Howard Koch. Robinson was brought in to add the love-interest angle. It was apparent that “none of them knew he was working on a movie that would turn out to be something to boast about; all the signs were that Casablanca would be a stinker.”
The facts are this: The film used some lines from the play, Everybody Comes to Rick’s, including the line “Then play it, Sam” and the song As Time Goes By. The irony was that Julius Epstein was not proud of his part in scripting Casablanca. He called it “slick shit,” and said, “Casablanca is one of my least favorite pictures. I’m tired of talking about it after thirty years. I can explain its success only by the Bogie cult … I can recognize that the picture is entertaining and that people love it. The whole thing was shot in the back lot. Furthermore, there were never any such things as letters of transit around which the entire plot revolved. The movie is completely phony.”

Excerpt from 6 Degrees of Film: The Future of Film in the Global Village

Shakespeare at the Movies: West Side Story at Tampa Theatre

West Side Story is playing this Sunday at Tampa Theatre. This 1964 Musical is yet another modern re-telling of the Shakespearean tale of Romeo & Juliet. In this version, a young and beautiful Natalie Wood stands out in the part of Maria. Rita Moreno plays Anita, the confidante of young Maria. Moreno won the Oscar for Best Supporting Actress for West Side Story. Although the critics have written that the portrayal of New York gangs “are about as threatening as a charging group of kittens”, still, this is a worthy adaptation of Romeo & Juliet set in a different place and time. West Side Story is part of Tampa Theatre’s continuing Summer Film Series.

Shakespeare at the Movies

Shakespeare has been the featured screenwriter for countless numbers of film adaptations of his plays. Many of the most famous ones have seen several rounds and variations on a theme. Romeo & Juliet has gone from the streets of Verona in Italy to the streets of New York and down to the beach. Macbeth has moved from Scotland to Japan and The Tempest has travelled into space in “Forbidden Planet”.

Some of the best adaptations are ones that have faithfully adapted Shakespeare’s incomparable dialogue and story-telling genius in the heart and soul of the re-telling. Here are a few of the modern adaptations of Shakespeare:

10 Things I Hate about you: One of the best re-works of the Taming of the Shrew plot. This film was made in 1999 and stars Heath Ledger and Julia Stiles. Another good version of the original play was made in 1967 by Franco Zefferelli with Elizabeth Taylor and Richard Burton in the lead roles.

Romeo & Juliet: The 1996 film by Director Baz Luhrmann moves the story to Verona Beach with rival gangs. Franco Zefferelli made a beautifully photographed classical version of the story in 1968, with a cast of young stars including Olivia Hussey as Juliet.

Hamlet: There are many good versions of Shakespeare’s most well-known play. The classic Olivier film was made in 1948. Director Franco Zefferelli made a version starring Mel Gibson in 1990 that was generally well received. And Kenneth Branagh’s Hamlet was released in 1996.

Macbeth: The film by famed director Kurosawa, Throne of Blood was made in 1957. He transferred the story of Macbeth to feudal Japan. Director Roman Polanski made a film version in 1971 of Macbeth. And yet another Macbeth has been re-made in 2015 with Michael Fassbender and Marion Cotillard in the lead roles.

Most critics agree that Kenneth Branagh’s Henry V was one of the best adaptations of Shakespeare ever made into a movie. Branagh also made a good version of Much Ado about Nothing in 1993 starring his wife at the time, Emma Thompson. Films that loosely adapt the story in a fresh and innovative way are the most difficult to pull off, but if successful, are some of the best films to watch. Shakespeare’s endless supply of ideas and commentary on the human condition provide a limitless storyboard for creative directors.

Films like My Own Private Idaho, Chimes at Midnight, Men of Respect, Hamlet at Elsinore, Rosenkrantz and Guildenstern are Dead and Prospero’s Books are proof of just a few of the turns that Shakespeare’s stories may take.

Romeo & Juliet has been adapted many times for film, with at least 13 – 14 major film productions. As You Like it and The Merchant of Venice have been adapted at least 12 times. King Lear and The Tempest are almost as popular as Hamlet, with 13 – 14 major adaptations to date. But the plays most adapted to film of all of Shakespeare’s works would be either Macbeth or Othello, both with between 15-17 major film adaptations of the Shakespearean tragedies.

6 Degrees: Notes from the Global Village

168816805 FOR 6 DEGREES COVER PHOTO SHOT — 6 Degrees of Film: The Future of Film in the Global Village

Here’s a round-up of some of the leading stories found in the 6 Degrees of Film @ the Movies magazine on Flipboard. The last two summers have proven to be relatively slow for finding little gems of movies or seeing big Hollywood blockbusters. The Cinematic Comic-Book Universe keeps churning them out, and we see lots of films coming out of China and overseas. The latest hit has an unusual looking “radish” monster baby (see the picture on Flipboard) and it’s breaking all kinds of box-office records in the all-important Chinese movie market. Here’s what we found in July:

Voted Number One American Film in BBC poll

*Citizen Kane: No 1 in BBC Poll: Greatest American film….? My book has a list of top 100 and Citizen Kane is not included. It’s a great film, and like so many great films, it’s an acquired taste. It’s not just me….many man on the street interviews have yielded this opinion of Citizen Kane. Insiders and critics like it. I do agree with most of the top 10 picks which are as follows:

1. Citizen Kane

2. The Godfather

3 Vertigo

4. 2001: A Space Odyssey

5 The Searchers

6. Sunrise: A Song of Two Humans-Murnau,

7. Singing in the Rain

8. Psycho

9 Casablanca

10 The Godfather Part II
As lists go, it’s not a bad one. Five out of ten isn’t bad, just no cigar! And it’s not inclusive if you are talking about strictly American films. The Wizard of Oz should be in any respectable top 10 List.
Hitchcock & Kubrick are problematic if you are speaking about American films. Hitchcock was born in England and Kubrick worked exclusively in England…To Kill a Mockingbird is a uniquely American film also and one would have to put it in the top ten rankings if you are going to parse the definition at all.
Probably you would include An American in Paris and It’s a Wonderful Life if you are talking about Americana. I would put Butch Cassidy and the Sundance Kid or Stagecoach or The Westerner with Gary Cooper over The Searchers.
It’s a very subjective thing to pick a list of strictly American films, and even harder for the Brits to decide!

**Primer to Marvel’s Cinematic Universe: In this informative article, the first 25 pages recap and address the history of Marvel’s Cinematic Universe. Rail against it if you are a critic or purist, but the comic book genre is here to stay. This is a good look at the continuing saga of the Cinematic Universe.

Starting in 2008, Phase One included: Iron Man, The Incredible Hulk, Iron Man 2, Thor, Captain America: The First Avenger, and The Avengers from 2012.

Beginning in 2013 with Iron Man 3, Phase Two includes Thor: The Dark World, Captain America: The Winter Soldier, Guardians of the Galaxy, Avengers, Age of Ultron and the current 2015 Ant-Man.

In 2016, Phase Three continues with Captain America: Civil War, Doctor Strange, and Guardians of the Galaxy Vol. 2 in 2017. Spider-Man and Thor: Ragnarok, also slated for release in 2017, and Avengers: Infinity War-Part I, Black Panther, and Captain Marvel in 2018. In 2019, Avengers: Infinity War-Part 2 and Inhumans will conclude Phase Three.

*Add as a caveat George Martin-creator of Game of Thrones- critique of the superhero genre, saying, “I am tired of this trope where the bad guy has the same powers as the hero. The Hulk fought the Abomination, who is just a bad Hulk. Spider-Man fights Venom, who is just a bad Spider-Man. Iron Man fights Ironmonger, a bad Iron Man.Yawn. I want more films where the hero and the villain have wildly different powers. That makes the action much more interesting.” Martin praised Ant-Man, as one of the best he’d seen since 2004’s Spider-Man 2.

**Ranking the “origin stories” of the Marvel Universe may provide background if you don’t really want to sit through 10 or 15 comic book movies. Read the moviefone article here….avclub.com

**Reviews: Southpaw, the boxing movie with Jake Gylenhall, has received mixed reviews; as had Paper Towns; Pixels from Adam Sandler was not received well (officially declared a dud!); Mr Holmes, the new Sherlock Holmes film with Ian MacKellan has generally garnered good reviews. Woody Allen’s new film, Irrational Man with Joacquin Phoenix and Emma Stone is receiving mixed reviews. Not surprising as those who are familiar with Woody’s work may see him going back to familiar ground over and over again.

*Global Box Office: Monster Hunt, out of China, is one of the highest grossing films made there. The Shrek 3 Director was at the helm. China’s state administraion of Print, Publishing, Radio, Film and Television (SAPPRFT-SARFT) had imposed an annual blackout period of 6-8 weeks when imported quotas of films are barred from mainland in order to boost Chinese movies. The family fantasy epic, Monster Hunt may surpass Transformers 4 and become PRC/s (People’s Republic of China) 2nd biggest release in history.
Jurassic World moves into the 3rd highest grossing film of all time-Passing Avengers. The sequel to Jurassic is already set for 2018. If you are wondering…
Avatar is #2; Titanic still No 1 and still the oldest film on the list.

*From the Fem Flicks File: A new list of 50 Films from Female Directors (how’s that for Alliteration 101?) A list I can’t agree with (Ishtar…? – I love Elaine May, but please!). On the list, I spotted eight worth mentioning

The Hitch-hiker- Ida Lupino-1953

Seven Beauties– Lina Wertmuller- 1975

Desperately Seeking Susan– Susan Seidelman-1984

Big– Penny Marshall-1988

Wayne’s World-Penelope Spheeris-1992

My Brilliant Career– Joan Tewkesbury-1994

Billy Madison-Tamra Davis-1995

Clueless- Amy Heckerling- 1995.
Sophia Coppola and Kathryn Bigelow are two stand-outs, with Sophia Coppola not even on the list?! Bigelow is cited for her Strange Days in 1995. She became the first female director to win an Academy Award for Best Director with her Hurt Locker in 2008.

*Must read for all of those like me who love Mockingbird: A typed letter to Director Alan Pakula from the art director Henry Bumstead from To Kill a Mockingbird. His impressions of Monroeville and Harper Lee (Nell’s) extremely useful suggestions as to how the look and feel of the place should be portrayed onscreen. Most amusing when he recounts he’d never seen a collard green before!

*Good read on Kubrick: It spells out the reasons for his greatness as a director and an auteur. He was a photographer first and foremost-the look and the feel of his pictures is through the eyes of an artist framing a shot-as Hitchcock, as Wes Anderson, and so many artistic creators working in film today. The author of the piece, Mark Krasselt, is a Kubrick devotee, and some of the article goes long into the weeds discussing the genius and merits of the man, but to summarize, some of his trademarks such as Kubrick’s use of the Narrator are discussed in detail. Kubrick’s actors are stilted and styled as was Hitchcock’s. The character is seen as metaphor-remember Hitchcock’s famous statement-actors are cattle? Kubrick’s career is detailed at length. The arc of his development and how he came to be an independent auteur after the disappointment of Paths of Glory is one of the highlights. Plus he had an important backer at Warner Bros in Terry Semel-and he never made films again in the US! Always he worked out of his London studio, where he had more artistic control over the project as a whole. Stanley Kubrick is shown as a true auteur as we glean some insight into the “Kubrick experience”. From Mark Krasselt-tasteofcinema.com

*Coming in August: The Man from UNCLE; Ricki and the Flash with Meryl Streep; Best of Enemies, a documentary about the very real rivalry between pundits William F. Buckley and the liberal Gore Vidal, is recommended; American Ultra with Jesse Eisenberg looks funny and quirky-the plot is about a stoner, played by Eisenberg, turned government agent in a twist that hasn’t been done to death-opening August 21. The Revenant trailer looks interesting-two great actors in Leonardo DiCaprio and Tom Hardy are starring in this backwoods mountain movie about a man seeking revenge.

• Movie Trends: 3-D….Is it just an annoying fad…? Or is it part of the movie-going experience. We are going to see many specialized “gimmicks” to drive audiences into the movies. A wave of nostalgia for the good old days of movie palaces has already descended upon us.

• The League of Historic Theatres is a national organization dedicated to preserving the memory of old buildings housing defunct movie theatres. The League extends to old theatres and auditoriums, and includes drive-in movies too, a big part of the culture of the fifties and sixties.

Those of you from my Linked in Movie Group may remember my past history with unusual movie “experiences”. As a child I attended the Planet of the Apes “Ape-a-rama” where you got in free if you wore a Gorilla suit and the first 100 patrons got a free banana. It was an all day Planet of the Apes Marathon.
And my beloved Tampa Theatre screened William Castle’s “Thirteen Ghosts” on Halloween many years ago with the original introduction by Castle explaining the 3-D Ghost glasses (one side you could see the ghosts-the other was for non-believers!).

Tomorrow, I wander into the valley of the shadow with the Sing-a-long version of The Sound of Music. The movie means so much to me as it was the first real film experience I remember as a child. We went to the Palace theatre downtown, long defunct, and even got the program (which I scribbled on) and the little orange drinks shaped like oranges with the straws in the middle!

I digress. But the film means so much to so many people, there is one woman in the Guinness book who saw it every day for years when it ran in theatres, and this is truly something any self-respecting film buff should experience.

I’m looking forward to seeing you on the other side! Till then, dear readers. I’ll see you at the movies!